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Showing posts with label Entertainment News. Show all posts

Tinubu Hails Eyo Festival as "Powerful Expression" of Nigeria's Cultural Wealth, Honors Late Mother

Tinubu Hails Eyo Festival as "Powerful Expression" of Nigeria's Cultural Wealth, Honors Late Mother

 By: Manoah Kikekon 


Bola Tinubu at Eyo Festival 


President Bola Tinubu has celebrated the iconic Eyo Festival as a profound symbol of Nigeria’s rich heritage and identity, using the occasion to pay tribute to his late mother, Alhaja Abibatu Mogaji, and other revered Lagos leaders.


The historic cultural spectacle, also known as Adamu Orisa Play, returned with full grandeur on Saturday at Tafawa Balewa Square on Lagos Island after an eight-year hiatus. This year’s procession honored the legacies of the President’s mother—the Iyaloja-General of Nigeria—alongside former Governor Lateef Jakande, Brigadier Mobolaji Johnson, and former Governor Michael Otedola.


A Resplendent Celebration of Heritage

In a speech printed in the event programme, President Tinubu described the festival as far more than a celebration. He emphasized its role in reflecting the core beliefs and traditions of Lagos and Nigeria.


“The glamour of white-robed figures parading the streets in celebration of distinguished Lagosians sends a resounding message about our identity as a people and as a country,” the President stated.


The festival features masquerades, known as Eyo, adorned in flowing white robes and hats, carrying ceremonial staffs called *Opambata*, as they process through major streets on Lagos Island. Traditionally held to commemorate the passing of traditional rulers or illustrious indigenes, the event underscored the nation’s cultural wealth.


Timing Highlights Tourism Potential

President Tinubu also noted that the festival’s timing during the popular ‘Detty December’ season spotlights Nigeria’s vast tourism potential. He pointed to Lagos’s growing appeal to Nigerians in the diaspora and international visitors.


“The vision and influence of the late leaders, as well as their diligence in public service, helped to nurture Lagos State to national and international prominence,” Tinubu remarked.


He extended congratulations to the Lagos State Government, traditional institutions, and Oba Rilwan Akiolu of Lagos. The President also praised Governor Babajide Sanwo-Olu, Deputy Governor Obafemi Hamzat, and the state executive council for the honor accorded to the families of the distinguished honorees.


“I am especially grateful for the honour bestowed upon my late mother, Alhaja Abibatu Mogaji, the iyaloja-general of Nigeria and a highly revered women leader,” Tinubu expressed.


Governor Sanwo-Olu on Identity and Resilience

Governor Babajide Sanwo-Olu, addressing the gathering, described the festival’s return as a powerful affirmation of Lagos’s enduring spirit.


“Today, we gather on this historic ground… wrapped in the timeless majesty of the Eyo Festival, the sacred Adimu Orisa. After an eight-year interval, this revered tradition returns in full splendour, standing as a powerful affirmation of our identity, our resilience and our unbroken connection to our history,” Governor Sanwo-Olu stated.

 By: Manoah Kikekon 


Bola Tinubu at Eyo Festival 


President Bola Tinubu has celebrated the iconic Eyo Festival as a profound symbol of Nigeria’s rich heritage and identity, using the occasion to pay tribute to his late mother, Alhaja Abibatu Mogaji, and other revered Lagos leaders.


The historic cultural spectacle, also known as Adamu Orisa Play, returned with full grandeur on Saturday at Tafawa Balewa Square on Lagos Island after an eight-year hiatus. This year’s procession honored the legacies of the President’s mother—the Iyaloja-General of Nigeria—alongside former Governor Lateef Jakande, Brigadier Mobolaji Johnson, and former Governor Michael Otedola.


A Resplendent Celebration of Heritage

In a speech printed in the event programme, President Tinubu described the festival as far more than a celebration. He emphasized its role in reflecting the core beliefs and traditions of Lagos and Nigeria.


“The glamour of white-robed figures parading the streets in celebration of distinguished Lagosians sends a resounding message about our identity as a people and as a country,” the President stated.


The festival features masquerades, known as Eyo, adorned in flowing white robes and hats, carrying ceremonial staffs called *Opambata*, as they process through major streets on Lagos Island. Traditionally held to commemorate the passing of traditional rulers or illustrious indigenes, the event underscored the nation’s cultural wealth.


Timing Highlights Tourism Potential

President Tinubu also noted that the festival’s timing during the popular ‘Detty December’ season spotlights Nigeria’s vast tourism potential. He pointed to Lagos’s growing appeal to Nigerians in the diaspora and international visitors.


“The vision and influence of the late leaders, as well as their diligence in public service, helped to nurture Lagos State to national and international prominence,” Tinubu remarked.


He extended congratulations to the Lagos State Government, traditional institutions, and Oba Rilwan Akiolu of Lagos. The President also praised Governor Babajide Sanwo-Olu, Deputy Governor Obafemi Hamzat, and the state executive council for the honor accorded to the families of the distinguished honorees.


“I am especially grateful for the honour bestowed upon my late mother, Alhaja Abibatu Mogaji, the iyaloja-general of Nigeria and a highly revered women leader,” Tinubu expressed.


Governor Sanwo-Olu on Identity and Resilience

Governor Babajide Sanwo-Olu, addressing the gathering, described the festival’s return as a powerful affirmation of Lagos’s enduring spirit.


“Today, we gather on this historic ground… wrapped in the timeless majesty of the Eyo Festival, the sacred Adimu Orisa. After an eight-year interval, this revered tradition returns in full splendour, standing as a powerful affirmation of our identity, our resilience and our unbroken connection to our history,” Governor Sanwo-Olu stated.

ATPN South West Commends Governors, Urges Exploration of Region's Tourism Riches This "Detty December"

ATPN South West Commends Governors, Urges Exploration of Region's Tourism Riches This "Detty December"

 By: Manoah Kikekon 

Association's Vice President, Hon. Samson Apata, Extends Christmas Greetings to Stakeholders, Highlights Improved Security as Catalyst for Tourism Growth.


Hon. Samson Nunayon Apata 


The Association of Tourism Practitioners of Nigeria (ATPN), South West Region, has extended warm Christmas felicitations to the entire Nigeria tourism ecosystem. 


Hon. Samson Nunayon Apata the National Vice President ATPN South West Region, through his Personal Media Aide, Manoah Kikekon Nunayon, celebrates the sector's resilience and its pivotal role in national development. This statement comes as the vibrant South West states, particularly Lagos, prepare for the famed "Detty December" period, a peak season for festivals and cultural events.


Hon. Apata emphasized the profound impact of tourism, stating, "This season offers us an opportunity to reflect on the vital role tourism continues to play in strengthening community cohesion, promoting cultural understanding, preserving our heritage, and stimulating sustainable economic growth." The ATPN South West leadership specifically commended the dedication of tourism professionals across Nigeria who are working to reposition the country's rich cultural heritage and diverse attractions on the global stage, acknowledging their tireless efforts.


A central pillar of the festive message was a notable commendation directed at the political leadership of the region. ATPN Southwest explicitly praised the six Governors of the South West states for their "great efforts in enhancing security in the region." 


The association linked this directly to tourism development, acknowledging the governors' attention to the sector as a key factor in "boosting the region's tourism potential." This endorsement highlights improved security as a fundamental enabler for tourism investment and visitor confidence.


The association also took time to appreciate its internal structure and recent milestones. Gratitude was extended to the Board of Trustees, Governing Council, and National Executive Council for their leadership. Furthermore, ATPN congratulated all newly inducted Honorary Fellows and recipients of the South West Tourism Icons Awards 2025, conferred during the recent 1st South West International Tourism Expo, celebrating their contributions to tourism excellence.


With security gains as a backdrop, ATPN Southwest issued a compelling call to action. The association actively encouraged both residents and visitors to "explore the best of the South West Region" during this festive period. This directive capitalizes on the anticipated influx of travelers for "Detty December," positioning the region's vibrant festivals, cultural showcases, and tourism events as premier destinations for holiday experiences.


Hon. Apata, on behalf of ATPN South West, wished everyone a Merry Christmas and a peaceful holiday season. The message serves as both a seasonal greeting and a strategic communiqué, reinforcing stakeholder appreciation, recognizing governmental progress on security, and actively promoting the South West as a secure and attractive tourism hub for the festive season and beyond.

 By: Manoah Kikekon 

Association's Vice President, Hon. Samson Apata, Extends Christmas Greetings to Stakeholders, Highlights Improved Security as Catalyst for Tourism Growth.


Hon. Samson Nunayon Apata 


The Association of Tourism Practitioners of Nigeria (ATPN), South West Region, has extended warm Christmas felicitations to the entire Nigeria tourism ecosystem. 


Hon. Samson Nunayon Apata the National Vice President ATPN South West Region, through his Personal Media Aide, Manoah Kikekon Nunayon, celebrates the sector's resilience and its pivotal role in national development. This statement comes as the vibrant South West states, particularly Lagos, prepare for the famed "Detty December" period, a peak season for festivals and cultural events.


Hon. Apata emphasized the profound impact of tourism, stating, "This season offers us an opportunity to reflect on the vital role tourism continues to play in strengthening community cohesion, promoting cultural understanding, preserving our heritage, and stimulating sustainable economic growth." The ATPN South West leadership specifically commended the dedication of tourism professionals across Nigeria who are working to reposition the country's rich cultural heritage and diverse attractions on the global stage, acknowledging their tireless efforts.


A central pillar of the festive message was a notable commendation directed at the political leadership of the region. ATPN Southwest explicitly praised the six Governors of the South West states for their "great efforts in enhancing security in the region." 


The association linked this directly to tourism development, acknowledging the governors' attention to the sector as a key factor in "boosting the region's tourism potential." This endorsement highlights improved security as a fundamental enabler for tourism investment and visitor confidence.


The association also took time to appreciate its internal structure and recent milestones. Gratitude was extended to the Board of Trustees, Governing Council, and National Executive Council for their leadership. Furthermore, ATPN congratulated all newly inducted Honorary Fellows and recipients of the South West Tourism Icons Awards 2025, conferred during the recent 1st South West International Tourism Expo, celebrating their contributions to tourism excellence.


With security gains as a backdrop, ATPN Southwest issued a compelling call to action. The association actively encouraged both residents and visitors to "explore the best of the South West Region" during this festive period. This directive capitalizes on the anticipated influx of travelers for "Detty December," positioning the region's vibrant festivals, cultural showcases, and tourism events as premier destinations for holiday experiences.


Hon. Apata, on behalf of ATPN South West, wished everyone a Merry Christmas and a peaceful holiday season. The message serves as both a seasonal greeting and a strategic communiqué, reinforcing stakeholder appreciation, recognizing governmental progress on security, and actively promoting the South West as a secure and attractive tourism hub for the festive season and beyond.

ATPN South West Awards 13-Year-Old Badagry Tour Guide as Tourism Rising Icon

ATPN South West Awards 13-Year-Old Badagry Tour Guide as Tourism Rising Icon

By: Manoah Kikekon 


Hon. Samson Nunayon Apata, Awal Abass and chief Patrick Mobee 


The Association of Tourism Practitioners of Nigeria (ATPN), South West Region, has honoured 13-year-old Awal Abass as a "Tourism Rising Icon." 

The prestigious award was pronounced on December 6th 2025, during the 1st South West International Tourism Expo 2025, held at the iconic Lagos Airport Hotel, Lagos and was formally presented to him on December 24th, 2025 at the historic palace of Chief Patrick Mobee, the Mobee of Boekoh, Badagry kingdom, Lagos State during a brief visit to Badagry on Wednesday by the National Vice President of ATPN South West Region.



This recognition spotlights not just an individual prodigy but the untapped potential within Nigeria’s local communities to drive cultural tourism.

The award culminated a meticulous selection process initiated ahead of the Expo. Hon. Samson Nunayon Apata, National Vice President of ATPN South West, revealed that delegations were dispatched across the six states in the South West to identify unique destination stories. 



"During our preparations for the International Tourism Expo held from December 5 to 6, 2025, our team in Lagos discovered Awal Abass," Apata stated. "His unique style of curating at the Brazilian Barracoon in Badagry, stood out remarkably. He was duly nominated as the Youngest Tourism Icon, emerged the winner, and we are here today to officially present his well-deserved award."

The presentation was made by the royal host, Chief Patrick Mobee, who linked Abass's achievement directly to the power of education. In his address, Chief Mobee championed academic investment, stating, "This young boy has been able to achieve this because of the education he has... If he had not gone to school, he wouldn't be able to do what he did. I know some older than him at the destination who can't do what he did." 

His words underscored a vital message: that formal learning is a critical foundation for innovating and promoting Nigeria’s heritage effectively.

The newly crowned icon, Awal Abass, expressed profound gratitude to the ATPN South West for the honour. In his acceptance, he assured stakeholders of his unwavering commitment to leveraging his newfound platform. 


Abass pledged to "put his best in tourism promotion in Badagry and in Lagos State," signalling the dawn of a fresh, energetic voice in Nigeria’s tourism sector. This event marks a significant moment for Nigerian tourism, highlighting how nurturing young talent and combining local knowledge with education can create powerful ambassadors for the nation’s cultural and historical treasures.
By: Manoah Kikekon 


Hon. Samson Nunayon Apata, Awal Abass and chief Patrick Mobee 


The Association of Tourism Practitioners of Nigeria (ATPN), South West Region, has honoured 13-year-old Awal Abass as a "Tourism Rising Icon." 

The prestigious award was pronounced on December 6th 2025, during the 1st South West International Tourism Expo 2025, held at the iconic Lagos Airport Hotel, Lagos and was formally presented to him on December 24th, 2025 at the historic palace of Chief Patrick Mobee, the Mobee of Boekoh, Badagry kingdom, Lagos State during a brief visit to Badagry on Wednesday by the National Vice President of ATPN South West Region.



This recognition spotlights not just an individual prodigy but the untapped potential within Nigeria’s local communities to drive cultural tourism.

The award culminated a meticulous selection process initiated ahead of the Expo. Hon. Samson Nunayon Apata, National Vice President of ATPN South West, revealed that delegations were dispatched across the six states in the South West to identify unique destination stories. 



"During our preparations for the International Tourism Expo held from December 5 to 6, 2025, our team in Lagos discovered Awal Abass," Apata stated. "His unique style of curating at the Brazilian Barracoon in Badagry, stood out remarkably. He was duly nominated as the Youngest Tourism Icon, emerged the winner, and we are here today to officially present his well-deserved award."

The presentation was made by the royal host, Chief Patrick Mobee, who linked Abass's achievement directly to the power of education. In his address, Chief Mobee championed academic investment, stating, "This young boy has been able to achieve this because of the education he has... If he had not gone to school, he wouldn't be able to do what he did. I know some older than him at the destination who can't do what he did." 

His words underscored a vital message: that formal learning is a critical foundation for innovating and promoting Nigeria’s heritage effectively.

The newly crowned icon, Awal Abass, expressed profound gratitude to the ATPN South West for the honour. In his acceptance, he assured stakeholders of his unwavering commitment to leveraging his newfound platform. 


Abass pledged to "put his best in tourism promotion in Badagry and in Lagos State," signalling the dawn of a fresh, energetic voice in Nigeria’s tourism sector. This event marks a significant moment for Nigerian tourism, highlighting how nurturing young talent and combining local knowledge with education can create powerful ambassadors for the nation’s cultural and historical treasures.

Miss Culture Badagry Pageant 2025 Date Announced, Offers Free Registration

Miss Culture Badagry Pageant 2025 Date Announced, Offers Free Registration

 By: Manoah Kikekon 




BADAGRY, LAGOS – The highly anticipated date for the Miss Culture Badagry Pageant International 2025 has been officially announced, with organizers confirming the grand finale for Sunday, December 14, 2025. In a significant move to encourage widespread participation, the pageant is offering registration forms to all interested persons for free.


The initiative, conceptualized to empower womanhood and promote the rich socio-cultural heritage of Badagry, was unveiled by the Executive Coordinator, Olusegun B. Subair. In an exclusive conversation with News Peddlers on Friday, Subair outlined the pageant's ambitious vision to become an event of international repute.



"Our aim is to build the event into a brand of international repute, showcasing the rich cultural heritage of Badagry, Lagos State, and Nigeria to the world," Subair stated.


The pageant is designed as a profound cultural showcase. It will feature 20 final contestants, each representing a major historical and heritage area across Badagry Local Government, Badagry West L.C.D.A., and Olurunda L.C.D.A. These contestants will vie for the prestigious title, earning the role of ambassador of Badagry's social and cultural values.


The eventual winner of the glamorous event will be crowned the queen and serve as the face of the pageant for 12 calendar months. During her reign, she is expected to function in conformity with the core tenets of the pageant, which are founded on promoting cultural integration.


Acknowledging the scale of the project, the organization has also made a call for support. "We are quite aware of the enormous task ahead and the limited resources available," Subair noted, appealing to stakeholders and partners to accommodate the pageant in their budgets. This support, he emphasized, is crucial to "showcase the socio-cultural values that Badagry is known for" and select a queen who represents the positive virtues of womanhood.


The Miss Culture Badagry Pageant International is built on several key objectives: Female Empowerment: To create a platform for women to better their lives and contribute positively to their communities.

Cultural and Economic Development: To transform into a major hub for developing Badagry's cultural and heritage potentials, thereby becoming a positive influence on the local economy.

Cultural Unification: To play a unifying role by projecting the entire Badagry rich cultural heritage, potentially involving traditional rulers and local governments.

Promotion of Peace and Harmony: To promote peace, oneness, and development through the office of the Miss Culture Badagry organization, benefiting all stakeholders.


The grand finale on December 14, 2025, is poised to be a landmark event, celebrating the "Symbol of Cultural Integration" and opening doors for global interest in the beauty and originality of Badagry's heritage.


For more contact: Olusegun B. Subair EXECUTIVE CO-ORDINATOR on 9073775637

**Keywords for SEO:** Miss Culture Badagry, Badagry Pageant 2025, Cultural Heritage Badagry, Badagry Lagos Tourism, Olusegun B. Subair, Free Pageant Forms, Nigerian Beauty Pageant, Women Empowerment Nigeria, Badagry Local Government, Cultural Integration.

 By: Manoah Kikekon 




BADAGRY, LAGOS – The highly anticipated date for the Miss Culture Badagry Pageant International 2025 has been officially announced, with organizers confirming the grand finale for Sunday, December 14, 2025. In a significant move to encourage widespread participation, the pageant is offering registration forms to all interested persons for free.


The initiative, conceptualized to empower womanhood and promote the rich socio-cultural heritage of Badagry, was unveiled by the Executive Coordinator, Olusegun B. Subair. In an exclusive conversation with News Peddlers on Friday, Subair outlined the pageant's ambitious vision to become an event of international repute.



"Our aim is to build the event into a brand of international repute, showcasing the rich cultural heritage of Badagry, Lagos State, and Nigeria to the world," Subair stated.


The pageant is designed as a profound cultural showcase. It will feature 20 final contestants, each representing a major historical and heritage area across Badagry Local Government, Badagry West L.C.D.A., and Olurunda L.C.D.A. These contestants will vie for the prestigious title, earning the role of ambassador of Badagry's social and cultural values.


The eventual winner of the glamorous event will be crowned the queen and serve as the face of the pageant for 12 calendar months. During her reign, she is expected to function in conformity with the core tenets of the pageant, which are founded on promoting cultural integration.


Acknowledging the scale of the project, the organization has also made a call for support. "We are quite aware of the enormous task ahead and the limited resources available," Subair noted, appealing to stakeholders and partners to accommodate the pageant in their budgets. This support, he emphasized, is crucial to "showcase the socio-cultural values that Badagry is known for" and select a queen who represents the positive virtues of womanhood.


The Miss Culture Badagry Pageant International is built on several key objectives: Female Empowerment: To create a platform for women to better their lives and contribute positively to their communities.

Cultural and Economic Development: To transform into a major hub for developing Badagry's cultural and heritage potentials, thereby becoming a positive influence on the local economy.

Cultural Unification: To play a unifying role by projecting the entire Badagry rich cultural heritage, potentially involving traditional rulers and local governments.

Promotion of Peace and Harmony: To promote peace, oneness, and development through the office of the Miss Culture Badagry organization, benefiting all stakeholders.


The grand finale on December 14, 2025, is poised to be a landmark event, celebrating the "Symbol of Cultural Integration" and opening doors for global interest in the beauty and originality of Badagry's heritage.


For more contact: Olusegun B. Subair EXECUTIVE CO-ORDINATOR on 9073775637

**Keywords for SEO:** Miss Culture Badagry, Badagry Pageant 2025, Cultural Heritage Badagry, Badagry Lagos Tourism, Olusegun B. Subair, Free Pageant Forms, Nigerian Beauty Pageant, Women Empowerment Nigeria, Badagry Local Government, Cultural Integration.

Lights, Camera, Badagry! Historic Film Festival to Kickstart "Detty December" in Style 

Lights, Camera, Badagry! Historic Film Festival to Kickstart "Detty December" in Style 

 By: Manoah Kikekon


Viyon Awhanse, Babatunde Hunpe and Senami Viyon-Awhanse 


BADAGRY, LAGOS – In a significant boost for tourism and the creative arts, the historic town of Badagry is officially set to host the third edition of the Badagry International Film Festival (BIFIF) from November 21st to 23rd, 2025. The event's was firmly secured following a meeting where Hon. Babatunde Hunpe, the Badagry Local Government Chairman personally confirmed and reinstated his full endorsement.



Mr. Viyon Awhanse Founder/Festival Director disclosed thin in a press release made available to journalists, He said, This landmark gathering also served to officially launch the much-anticipated "Detty December Badagry" calendar, positioning the film festival as the prestigious cultural opener for a month of vibrant activities in the region.



"The festival, under the theme “Roots and Routes,” will transform the profound grounds of the Vlekete Slave Market into a dynamic hub for cinematic celebration and historical reflection. This choice of venue is intentional, designed to spark deep conversations about heritage, identity, and the interconnected journeys of the African diaspora," he said.


With official endorsements from the Nigeria Film Festival Association and the Lagos State Ministry of Tourism, Arts and Culture, the event is poised to draw a global audience, placing Badagry firmly on the international cultural map.


A constellation of Nollywood and art industry icons has been assembled to guide the next generation of filmmakers. Acclaimed professionals including Academy Award-nominated filmmaker Femi Odugbemi, legendary singer Yinka Davies, veteran actors Segun Arinze and Afeez Oyetoro (Saka), and culture critic Jahman Anikulapo are among the luminaries slated to conduct masterclasses and practical workshops. Their involvement ensures the festival will be an unparalleled learning experience for aspiring directors, producers, and actors.


Awhanse added that, "The cinematic festivities will be preceded by an intensive, hands-on training programme running from November 17th to 18th. Selected participants will undergo rigorous skill-building sessions before submitting and presenting their assignments from the 19th to the 21st. This practical component underscores the festival's core mission: to empower independent filmmakers locally and internationally by providing them with the tools, knowledge, and platform to thrive."


By officially launching "Detty December Badagry," the Badagry International Film Festival is not just hosting an event; it is igniting a cultural movement. The Local Government's reinforced support signals a unified vision to establish Badagry as a premier destination for tourism and creative exchange. 


This fusion of historical significance, cinematic excellence, and festive celebration promises an unforgettable experience that will resonate long after the final credits roll, setting a new standard for cultural festivals in Nigeria.


 By: Manoah Kikekon


Viyon Awhanse, Babatunde Hunpe and Senami Viyon-Awhanse 


BADAGRY, LAGOS – In a significant boost for tourism and the creative arts, the historic town of Badagry is officially set to host the third edition of the Badagry International Film Festival (BIFIF) from November 21st to 23rd, 2025. The event's was firmly secured following a meeting where Hon. Babatunde Hunpe, the Badagry Local Government Chairman personally confirmed and reinstated his full endorsement.



Mr. Viyon Awhanse Founder/Festival Director disclosed thin in a press release made available to journalists, He said, This landmark gathering also served to officially launch the much-anticipated "Detty December Badagry" calendar, positioning the film festival as the prestigious cultural opener for a month of vibrant activities in the region.



"The festival, under the theme “Roots and Routes,” will transform the profound grounds of the Vlekete Slave Market into a dynamic hub for cinematic celebration and historical reflection. This choice of venue is intentional, designed to spark deep conversations about heritage, identity, and the interconnected journeys of the African diaspora," he said.


With official endorsements from the Nigeria Film Festival Association and the Lagos State Ministry of Tourism, Arts and Culture, the event is poised to draw a global audience, placing Badagry firmly on the international cultural map.


A constellation of Nollywood and art industry icons has been assembled to guide the next generation of filmmakers. Acclaimed professionals including Academy Award-nominated filmmaker Femi Odugbemi, legendary singer Yinka Davies, veteran actors Segun Arinze and Afeez Oyetoro (Saka), and culture critic Jahman Anikulapo are among the luminaries slated to conduct masterclasses and practical workshops. Their involvement ensures the festival will be an unparalleled learning experience for aspiring directors, producers, and actors.


Awhanse added that, "The cinematic festivities will be preceded by an intensive, hands-on training programme running from November 17th to 18th. Selected participants will undergo rigorous skill-building sessions before submitting and presenting their assignments from the 19th to the 21st. This practical component underscores the festival's core mission: to empower independent filmmakers locally and internationally by providing them with the tools, knowledge, and platform to thrive."


By officially launching "Detty December Badagry," the Badagry International Film Festival is not just hosting an event; it is igniting a cultural movement. The Local Government's reinforced support signals a unified vision to establish Badagry as a premier destination for tourism and creative exchange. 


This fusion of historical significance, cinematic excellence, and festive celebration promises an unforgettable experience that will resonate long after the final credits roll, setting a new standard for cultural festivals in Nigeria.


Badagry's Francis Agemo Unveils Major Solo Exhibition 'OMEMITONLEE' in Lagos

Badagry's Francis Agemo Unveils Major Solo Exhibition 'OMEMITONLEE' in Lagos

 By: Manoah Kikekon 



(Lagos, Nigeria) – Francis Agemo a Badagry-based artist is proud to present "OMEMITONLEE: An Artistic Reflection on the Cycle of Life and Legacy," a powerful solo exhibition which will hold at Alexis Galleries, in Lagos. 


Opening on October 18 and running through October 30, this significant showcase features a compelling collection of wood panel artworks and sculptures that invite viewers to contemplate ancestry, community, and the enduring marks left by those who came before us.


For Agemo, this exhibition marks a pivotal moment in his career. “This will be my major solo here in Lagos. I'm happy to show my works because I'm a painter from beginning,” the artist shared. His journey into woodwork began in 2017, guided by Patty Chidiac, the founder of Alexis Galleries. “She said, ‘You can actually do wood, like how you have been painting. You can merge painting with wood.’ So, she added me to the artists then in residency that are doing wood panels. And so since then I've been working with them.”


The exhibition’s title, "OMEMITONLEE," is a profound concept expressing the interconnectedness of descendants and ancestors. Agemo explained that the exhibition explores “how they guide, build or bind the community together.” This theme is brought to life through a diverse body of work, including large sculptures, totems, wood panels, and paintings, all of which he has been dedicated to creating since February.


A central piece of the collection is the sculptural work “Mi Nape To Olin,” which serves as a meditation on the fleeting nature of life and the ties that shape our legacies. Agemo describes it as a “personal homage to departed loved ones and a quiet pondering on the continuity of connection.”


The artist’s spiritual beliefs deeply inform his work. When asked about the influence of ancestors, Agemo offered, “I believe there is life after death... It all depends on how you are connected with the spirits of your ancestors. My grandparents led me to know that we always have things that we call upon, and have conversation with, and at the same time, they answer to our prayers.”


Having exhibited internationally, Agemo also highlighted a crucial difference in art appreciation. “Abroad, they patronise living artists. In Nigeria, people most time focus on legendary and non-living artists... But that's not growth. There's need for other people to come out,” he noted, emphasizing the importance of supporting contemporary, living artists within the local art scene.


Curated by Uche Obasi of Alexis Galleries, "OMEMITONLEE" promises an intimate journey through Egun cosmology and Badagry heritage. The artworks are deeply symbolic, featuring motifs of totems, masks, and ancestral figures carved and painted on reclaimed wood sourced from the forests of Ogun State.


Ultimately, Agemo hopes his exhibition will inspire visitors to reflect on their own lives and legacies. “For this show, I actually want people to come and experience love, a continuity of life and a legacy... we have to make a statement, so that when we leave, people will always remember us. That's what this show is talking about.”


Art enthusiasts and the community are highly encouraged to attend this poignant exploration of life, memory, and legacy by one of Nigeria's significant interdisciplinary artists at Alexis Galleries from October 18 to October 30.


 By: Manoah Kikekon 



(Lagos, Nigeria) – Francis Agemo a Badagry-based artist is proud to present "OMEMITONLEE: An Artistic Reflection on the Cycle of Life and Legacy," a powerful solo exhibition which will hold at Alexis Galleries, in Lagos. 


Opening on October 18 and running through October 30, this significant showcase features a compelling collection of wood panel artworks and sculptures that invite viewers to contemplate ancestry, community, and the enduring marks left by those who came before us.


For Agemo, this exhibition marks a pivotal moment in his career. “This will be my major solo here in Lagos. I'm happy to show my works because I'm a painter from beginning,” the artist shared. His journey into woodwork began in 2017, guided by Patty Chidiac, the founder of Alexis Galleries. “She said, ‘You can actually do wood, like how you have been painting. You can merge painting with wood.’ So, she added me to the artists then in residency that are doing wood panels. And so since then I've been working with them.”


The exhibition’s title, "OMEMITONLEE," is a profound concept expressing the interconnectedness of descendants and ancestors. Agemo explained that the exhibition explores “how they guide, build or bind the community together.” This theme is brought to life through a diverse body of work, including large sculptures, totems, wood panels, and paintings, all of which he has been dedicated to creating since February.


A central piece of the collection is the sculptural work “Mi Nape To Olin,” which serves as a meditation on the fleeting nature of life and the ties that shape our legacies. Agemo describes it as a “personal homage to departed loved ones and a quiet pondering on the continuity of connection.”


The artist’s spiritual beliefs deeply inform his work. When asked about the influence of ancestors, Agemo offered, “I believe there is life after death... It all depends on how you are connected with the spirits of your ancestors. My grandparents led me to know that we always have things that we call upon, and have conversation with, and at the same time, they answer to our prayers.”


Having exhibited internationally, Agemo also highlighted a crucial difference in art appreciation. “Abroad, they patronise living artists. In Nigeria, people most time focus on legendary and non-living artists... But that's not growth. There's need for other people to come out,” he noted, emphasizing the importance of supporting contemporary, living artists within the local art scene.


Curated by Uche Obasi of Alexis Galleries, "OMEMITONLEE" promises an intimate journey through Egun cosmology and Badagry heritage. The artworks are deeply symbolic, featuring motifs of totems, masks, and ancestral figures carved and painted on reclaimed wood sourced from the forests of Ogun State.


Ultimately, Agemo hopes his exhibition will inspire visitors to reflect on their own lives and legacies. “For this show, I actually want people to come and experience love, a continuity of life and a legacy... we have to make a statement, so that when we leave, people will always remember us. That's what this show is talking about.”


Art enthusiasts and the community are highly encouraged to attend this poignant exploration of life, memory, and legacy by one of Nigeria's significant interdisciplinary artists at Alexis Galleries from October 18 to October 30.


St. Leo @ 80: Badagry Alumni Celebrates Primary Education in Landmark Anniversary

St. Leo @ 80: Badagry Alumni Celebrates Primary Education in Landmark Anniversary

By: Manoah Kikekon 


Alumni of St. Leo's Catholic Primary School, Ikoga-Zebbe 


BADAGRY, LAGOS STATE – The alumni of St. Leo's Catholic Primary School, Ikoga-Zebbe, have marked the school's 80th anniversary with a week-long extravaganza, culminating in a grand finale on September 26. 


The event, held on the school's premises, served as a testament to the critical role of primary education and successfully bridged generations of past and present students.


According to the committee chairman, Dr. Tony Dansu, an alumnus, the week commenced with a thanksgiving service at St. Leo's Catholic Church. This was followed by a day dedicated to community service, where old and current students joined forces to clean the environment and conduct a comprehensive free healthcare outreach, offering treatment and counselling for eight different health issues.


A Walk Down Memory Lane: Uniforms and Unity

The week's festivities took a nostalgic turn on Wednesday, as former teachers and pupils donned the iconic school uniform for a special assembly with current students. This symbolic gesture visually connected the school's storied past with its vibrant present. The celebrations reached their peak on the final day with a special inter-house sports competition and a dazzling display of cultural activities, painting the school grounds in a kaleidoscope of colour and energy.


The Significance: Uniting Past, Present, and Future

For Tony Dansu, the significance of the anniversary extends far beyond the festivities. "It brings everyone together, uniting the past and the present," he explained. The core mission was for the accomplished alumni to inspire current students by showcasing the tangible impact of their education. 


"This school has produced several PhD holders lecturing in various universities and directors in various government institutions. It has likewise produced great politicians," Dansu noted, adding a regal endorsement: "It is worth to note that the current king of this community, HRM Ovitotode Toyi the 1st, and the current king of Igbeji kingdom, finished from this school."


A Royal Endorsement and a Call to Focus

His Royal Majesty, Ovitotode Toyi the 1st, Aholu Sano of Ikoga Zebbe, graced the event and hailed it as a trailblazing initiative. "This is the first of its kind. In most schools, it's only the secondary school that's celebrated. What we've done has also prompted other people to now start thinking of how to celebrate their primary schools," the monarch stated. He urged current students to remain focused on their studies, issuing a powerful warning: "Even if you were to become the king and you're so entitled to it, if you're not educated, it may elude you."


A Legacy Forged in Faith and Community

The history of St. Leo's Catholic Primary School is a narrative of resilience and community spirit. Founded in 1945 by the Catholic Mission under Archbishop Leo Taylor, it was initially named the Roman Catholic Mission (R.C.M.) School. After a special visitation by the Archbishop, the school was renamed in his honour. Established with the approval of the then traditional ruler, Sano Akapo, who granted the land, the school's first Headteacher was the late Mr. J.E.S. Ogunji.


The school's inception was met with challenges, as many parents preferred to engage their children in farming rather than formal education. The pioneering teachers, including the first assistant Mr. Philip Tanimowo Hunsu, embarked on house-to-house campaigns to persuade families of education's value. 


Their perseverance paid off, with enrolment swelling to 618 pupils. However, tragedy struck in 1948 when a fire gutted the original mud building, roofed with palm fronds, destroying many of the school's early records a loss that makes this 80th-year celebration all the more poignant.


 "We have seen that around the world nobody celebrates the primary school which is the foundation... if the foundation is bad, any other attempts to build on it will be bad as well," Dansu added.

By: Manoah Kikekon 


Alumni of St. Leo's Catholic Primary School, Ikoga-Zebbe 


BADAGRY, LAGOS STATE – The alumni of St. Leo's Catholic Primary School, Ikoga-Zebbe, have marked the school's 80th anniversary with a week-long extravaganza, culminating in a grand finale on September 26. 


The event, held on the school's premises, served as a testament to the critical role of primary education and successfully bridged generations of past and present students.


According to the committee chairman, Dr. Tony Dansu, an alumnus, the week commenced with a thanksgiving service at St. Leo's Catholic Church. This was followed by a day dedicated to community service, where old and current students joined forces to clean the environment and conduct a comprehensive free healthcare outreach, offering treatment and counselling for eight different health issues.


A Walk Down Memory Lane: Uniforms and Unity

The week's festivities took a nostalgic turn on Wednesday, as former teachers and pupils donned the iconic school uniform for a special assembly with current students. This symbolic gesture visually connected the school's storied past with its vibrant present. The celebrations reached their peak on the final day with a special inter-house sports competition and a dazzling display of cultural activities, painting the school grounds in a kaleidoscope of colour and energy.


The Significance: Uniting Past, Present, and Future

For Tony Dansu, the significance of the anniversary extends far beyond the festivities. "It brings everyone together, uniting the past and the present," he explained. The core mission was for the accomplished alumni to inspire current students by showcasing the tangible impact of their education. 


"This school has produced several PhD holders lecturing in various universities and directors in various government institutions. It has likewise produced great politicians," Dansu noted, adding a regal endorsement: "It is worth to note that the current king of this community, HRM Ovitotode Toyi the 1st, and the current king of Igbeji kingdom, finished from this school."


A Royal Endorsement and a Call to Focus

His Royal Majesty, Ovitotode Toyi the 1st, Aholu Sano of Ikoga Zebbe, graced the event and hailed it as a trailblazing initiative. "This is the first of its kind. In most schools, it's only the secondary school that's celebrated. What we've done has also prompted other people to now start thinking of how to celebrate their primary schools," the monarch stated. He urged current students to remain focused on their studies, issuing a powerful warning: "Even if you were to become the king and you're so entitled to it, if you're not educated, it may elude you."


A Legacy Forged in Faith and Community

The history of St. Leo's Catholic Primary School is a narrative of resilience and community spirit. Founded in 1945 by the Catholic Mission under Archbishop Leo Taylor, it was initially named the Roman Catholic Mission (R.C.M.) School. After a special visitation by the Archbishop, the school was renamed in his honour. Established with the approval of the then traditional ruler, Sano Akapo, who granted the land, the school's first Headteacher was the late Mr. J.E.S. Ogunji.


The school's inception was met with challenges, as many parents preferred to engage their children in farming rather than formal education. The pioneering teachers, including the first assistant Mr. Philip Tanimowo Hunsu, embarked on house-to-house campaigns to persuade families of education's value. 


Their perseverance paid off, with enrolment swelling to 618 pupils. However, tragedy struck in 1948 when a fire gutted the original mud building, roofed with palm fronds, destroying many of the school's early records a loss that makes this 80th-year celebration all the more poignant.


 "We have seen that around the world nobody celebrates the primary school which is the foundation... if the foundation is bad, any other attempts to build on it will be bad as well," Dansu added.

ATPN South-West Unveils 2025 Expo Focus on Grassroots Tourism Development

ATPN South-West Unveils 2025 Expo Focus on Grassroots Tourism Development

By: Manoah Kikekon 


Mr. Omosun Aminu, DIRECTOR, Tourism Promotion and Hon. Apata Samson Nunayon 


LAGOS, Nigeria – Hon. Apata Samson Nunayon, National Vice President of the Association of Tourism Practitioners of Nigeria (ATPN), has officially detailed the ambitious targets for the inaugural Southwest International Tourism Expo 2025. The landmark event is scheduled for the 5th and 6th of December 2025 at the Airport Hotel in Ikeja, Lagos State.


The revelations came during a crucial meeting held today, Tuesday, between Hon. Apata and the Lagos State Ministry of Tourism, Arts and Culture. 


The engagement served as a formal presentation of the expo’s framework, aimed at fostering unprecedented collaboration among the six southwestern states of Nigeria. Hon. Apata emphasized that the expo is designed to be a unifying platform, allowing states including Lagos, Ogun, Oyo, Osun, Ondo, and Ekiti to collectively showcase their rich and diverse tourism potentials to a global audience.


Delving into the core objectives, Hon. Apata pinpointed Community-Based Tourism (CBT) as the central pillar of the expo’s strategy. The theme, “Exploring the Power of CBT in Driving Grassroots Development Through Strategic Collaboration,” underscores a deliberate shift towards empowering local communities. 


“Firstly, we want to discuss and chart a new course using Community Based Tourism (CBT) as a tool to change the lives of our people at the grassroots level,” he stated. The initiative also aims to directly engage Local Government Chairmen across Lagos, educating them on the economic imperative of investing in tourism assets within their jurisdictions.



The expo will also serve as a stage to honour key figures who have driven the tourism agenda forward in the region. Hon. Apata announced that all Commissioners of Tourism from the six southwestern states will be recognised and decorated as Fellows of the ATPN in acknowledgement of their work. Furthermore, the governors of each state will be appreciated through a public voting system. 


“By the end of this month, we shall roll out the categories of awards then voting will take place and people will vote for their preferred governors,” Apata revealed.


The event promises an immersive two-day agenda packed with unique experiences and critical discourse. Day One, October 5th, will see participants arrive in Lagos and embark on a symbolic train ride on the iconic Blue Line rail with the Governor, a tour designed to highlight Lagos State’s infrastructural advancements. 


The journey will continue to the JK Randle Cultural Centre for a cultural tour, offering a deep dive into the state’s heritage. 


Day Two will feature a dual-track programme with one hall dedicated to exhibitions from various states and stakeholders, and another for keynote speakers, panel discussions, and strategic engagements.



The initiative received a significant endorsement from the Lagos State Ministry of Tourism, Arts and Culture. Mrs. Toke Benson-Awoyinka, the Honorable Commissioner, who was represented by Mr. Omosun Aminu, the Director of Tourism Promotion, commended the vision behind the expo. He assured Hon. Apata of the ministry’s full support, describing the programme as a “laudable innovative program” and confirming that the ministry is open to collaborating on such projects that promise to elevate the tourism sector in Southwest Nigeria

By: Manoah Kikekon 


Mr. Omosun Aminu, DIRECTOR, Tourism Promotion and Hon. Apata Samson Nunayon 


LAGOS, Nigeria – Hon. Apata Samson Nunayon, National Vice President of the Association of Tourism Practitioners of Nigeria (ATPN), has officially detailed the ambitious targets for the inaugural Southwest International Tourism Expo 2025. The landmark event is scheduled for the 5th and 6th of December 2025 at the Airport Hotel in Ikeja, Lagos State.


The revelations came during a crucial meeting held today, Tuesday, between Hon. Apata and the Lagos State Ministry of Tourism, Arts and Culture. 


The engagement served as a formal presentation of the expo’s framework, aimed at fostering unprecedented collaboration among the six southwestern states of Nigeria. Hon. Apata emphasized that the expo is designed to be a unifying platform, allowing states including Lagos, Ogun, Oyo, Osun, Ondo, and Ekiti to collectively showcase their rich and diverse tourism potentials to a global audience.


Delving into the core objectives, Hon. Apata pinpointed Community-Based Tourism (CBT) as the central pillar of the expo’s strategy. The theme, “Exploring the Power of CBT in Driving Grassroots Development Through Strategic Collaboration,” underscores a deliberate shift towards empowering local communities. 


“Firstly, we want to discuss and chart a new course using Community Based Tourism (CBT) as a tool to change the lives of our people at the grassroots level,” he stated. The initiative also aims to directly engage Local Government Chairmen across Lagos, educating them on the economic imperative of investing in tourism assets within their jurisdictions.



The expo will also serve as a stage to honour key figures who have driven the tourism agenda forward in the region. Hon. Apata announced that all Commissioners of Tourism from the six southwestern states will be recognised and decorated as Fellows of the ATPN in acknowledgement of their work. Furthermore, the governors of each state will be appreciated through a public voting system. 


“By the end of this month, we shall roll out the categories of awards then voting will take place and people will vote for their preferred governors,” Apata revealed.


The event promises an immersive two-day agenda packed with unique experiences and critical discourse. Day One, October 5th, will see participants arrive in Lagos and embark on a symbolic train ride on the iconic Blue Line rail with the Governor, a tour designed to highlight Lagos State’s infrastructural advancements. 


The journey will continue to the JK Randle Cultural Centre for a cultural tour, offering a deep dive into the state’s heritage. 


Day Two will feature a dual-track programme with one hall dedicated to exhibitions from various states and stakeholders, and another for keynote speakers, panel discussions, and strategic engagements.



The initiative received a significant endorsement from the Lagos State Ministry of Tourism, Arts and Culture. Mrs. Toke Benson-Awoyinka, the Honorable Commissioner, who was represented by Mr. Omosun Aminu, the Director of Tourism Promotion, commended the vision behind the expo. He assured Hon. Apata of the ministry’s full support, describing the programme as a “laudable innovative program” and confirming that the ministry is open to collaborating on such projects that promise to elevate the tourism sector in Southwest Nigeria

South-West Set for Tourism Revolution as ATPN International Expo 2025 Targets Grassroots Growth

South-West Set for Tourism Revolution as ATPN International Expo 2025 Targets Grassroots Growth

 By: Manoah Kikekon




LAGOS, Nigeria – The tourism landscape in South-West region of Nigeria is poised for a significant transformation as the Association of Tourism Practitioners of Nigeria (ATPN) announces its highly anticipated International Tourism Expo 2025. The landmark event is strategically designed to harness the untapped potential of States and position the region as a premier destination for global travellers and investors.


Scheduled for the 5th and 6th of December 2025 at the prestigious Airport Hotel in Lagos, the expo is built on the powerful theme: "Exploring The Power of Community-Based Tourism (CBT) In Driving Grassroots Development Through Strategic Collaboration." This focus highlights a shift towards sustainable tourism models that directly benefit local economies and preserve cultural heritage, moving beyond traditional tourism frameworks.


In a conversation with the event's Publicity Committee Chairman, Manoah Kikekon, he revealed that the ATPN South-West Region, under the leadership of Hon. Apata Samson Nunayon, is directly engaging with South West tourism authorities. 


“This is to ignite a new era of tourism-led economic transformation in the region,” Kikekon stated. He emphasized that the expo is “not just an event but a catalyst for unlocking the hidden treasures, cultural richness, and untapped tourist investment opportunities of the south-west.”


The two-day gathering is expected to be a melting pot of ideas, featuring industry experts, government officials, local community leaders, and international investors. Attendees can anticipate insightful keynote speeches, panel discussions on sustainable practices, workshops on community engagement, and exhibitions showcasing the unique cultural assets and investment prospects from across the South-West states.


This expo represents a critical step towards reshaping the economic narrative of the region through tourism. By fostering strategic collaboration between policymakers, practitioners, and communities, the ATPN 2025 Expo aims to create a actionable blueprint for development, ensuring that the benefits of tourism are felt at the grassroots level and solidifying Nigeria’s place on the international tourism map.

 By: Manoah Kikekon




LAGOS, Nigeria – The tourism landscape in South-West region of Nigeria is poised for a significant transformation as the Association of Tourism Practitioners of Nigeria (ATPN) announces its highly anticipated International Tourism Expo 2025. The landmark event is strategically designed to harness the untapped potential of States and position the region as a premier destination for global travellers and investors.


Scheduled for the 5th and 6th of December 2025 at the prestigious Airport Hotel in Lagos, the expo is built on the powerful theme: "Exploring The Power of Community-Based Tourism (CBT) In Driving Grassroots Development Through Strategic Collaboration." This focus highlights a shift towards sustainable tourism models that directly benefit local economies and preserve cultural heritage, moving beyond traditional tourism frameworks.


In a conversation with the event's Publicity Committee Chairman, Manoah Kikekon, he revealed that the ATPN South-West Region, under the leadership of Hon. Apata Samson Nunayon, is directly engaging with South West tourism authorities. 


“This is to ignite a new era of tourism-led economic transformation in the region,” Kikekon stated. He emphasized that the expo is “not just an event but a catalyst for unlocking the hidden treasures, cultural richness, and untapped tourist investment opportunities of the south-west.”


The two-day gathering is expected to be a melting pot of ideas, featuring industry experts, government officials, local community leaders, and international investors. Attendees can anticipate insightful keynote speeches, panel discussions on sustainable practices, workshops on community engagement, and exhibitions showcasing the unique cultural assets and investment prospects from across the South-West states.


This expo represents a critical step towards reshaping the economic narrative of the region through tourism. By fostering strategic collaboration between policymakers, practitioners, and communities, the ATPN 2025 Expo aims to create a actionable blueprint for development, ensuring that the benefits of tourism are felt at the grassroots level and solidifying Nigeria’s place on the international tourism map.

From Chains to Change: Badagry’s Painful Past Holds the Key to Lagos’ Tourism Future - By:Manoah Kikekon

From Chains to Change: Badagry’s Painful Past Holds the Key to Lagos’ Tourism Future - By:Manoah Kikekon

 By: Manoah Kikekon 


Badagry February 1851 and Manoah Kikekon 


Nestled along the serene coastline of Lagos State, the ancient town of Badagry or Badagri stands as a living museum, a place where the whispers of a painful past collide with the quiet hopes of a future yet to be realized. As the first point of European contact in Nigeria, a critical gateway during the transatlantic slave trade, and the undisputed cradle of Western education in Nigeria, Badagry is a foundational chapter in the nation's story. Yet, despite possessing a historical significance that should place it on the global tourism map, Badagry remains a footnote in Nigeria’s tourism strategy, its potential languishing from a lack of the required attention and strategic development.


The First Point of Contact: A Historical Crucible

Badagry’s role in Nigerian and African history is unparalleled. Founded in the early 15th century, it became a major hub for commerce. However, its destiny was irrevocably altered with the arrival of Portuguese explorers and, later, other European powers. By the 18th century, it had transformed into a brutal epicenter of the slave trade, earning the grim moniker "The Creek of Tears." 


Landmarks like the Point of No Return, the Seriki Abass Slave Barracoon, Mobee Slave Museum, and Vlekete Slave Market, where slaves were imprisoned and sold, stand as haunting testimonies to this era. This painful history, while a somber reminder, is the very bedrock of its tourism appeal, offering a pilgrimage site for the African diaspora and global historians.


The Cradle of Western Education in Nigeria: A Legacy of Light

Following the abolition of the slave trade, Badagry’s narrative pivoted from darkness to light, becoming the fertile ground where the seed of Western education in Nigeria was first planted. In 1842, the town witnessed another monumental first: the arrival of Christianity in Nigeria. The following year, 1843, the First Primary School in Nigeria was established by the Wesleyan Mission (Methodist Church) in the area now known as Marina. 


This was swiftly followed by the founding of the Nursery of the Infant Church by the Church Missionary Society (CMS) in 1845. This incredible concentration of "firsts" solidifies Badagry's status as the undisputed birthplace of formal Western education in the country, a legacy that complements its earlier, more somber history.


A Tapestry of Tourism Assets Beyond History

Beyond the slave trade and education, Badagry’s tourism offerings are remarkably diverse. The First Storey Building in Nigeria, constructed in 1845 by the CMS, is where the Bible was first translated into Yoruba. The Agiya Tree Monument under which the first Christian sermon in Nigeria was preached in 1842, are major attractions for religious tourism.


Furthermore, its natural assets are stunning pristine beaches like Suntan Beach and Gberefu Beach offer breathtaking vistas of the Atlantic. This unique combination of cultural, historical, educational, religious, and eco-tourism assets creates a multifaceted destination capable of attracting a wide range of visitors.


The Persistent Infrastructure Deficit: A Tourism Bottleneck

Despite its immense potential, Badagry’s growth has been stymied by a critical infrastructure deficit. The most significant barrier is accessibility. The single road leading from Lagos metropolis to Badagry is perennially congested and in a state of disrepair, making what should be a scenic journey a grueling hours-long ordeal.


This lack of a smooth transport corridor discourages day-trippers and international tourists alike. Within the town itself, the supporting infrastructure is weak: erratic power supply, underdeveloped road networks connecting the various sites, a lack of reliable public transportation, and limited potable water. These deficiencies create an unwelcoming environment for tourists accustomed to basic comforts and ease of movement.


The Development Paradox: Neglect and Missed Opportunities

The neglect of Badagry represents a profound paradox. While it is frequently mentioned in political rhetoric and development plans, tangible action has been scarce. There is a notable absence of large-scale, government-driven investment to preserve its historical sites to international standards, build modern museums to showcase its educational heritage, or develop its beaches with necessary amenities.


This lack of attention has resulted in a failure to create a cohesive "tourist experience." Many sites are maintained by local families or communities with limited resources. The opportunity to create a world-class heritage destination that educates, generates significant revenue, and creates thousands of jobs continues to be missed.


The Blueprint for a Renaissance: Strategic Recommendations

Unlocking Badagry’s potential requires a deliberate and multi-faceted strategy. First, government intervention is critical. This must include urgent road construction, providing stable power and water infrastructure, and granting special status to Badagry as a UNESCO World Heritage Site candidate. Achieving this requires Badagrians deliberate and direct involvement in Lagos governance process in one voice.


Second, Public-Private Partnerships (PPPs) are essential for developing high-quality amenities boutique hotels, resorts, curated tours, and restaurant facilities. Finally, community involvement is non-negotiable. The local population must be active stakeholders, trained as tour guides, hospitality staff, and artisans, ensuring that tourism revenue benefits the community and fosters a sense of ownership and pride in preserving their heritage.


A Call to Honour the Past by Investing in the Future

Badagry is more than just a tourist destination; it is a sacred ground of collective memory. It is a place where the darkest and most enlightened chapters of Nigeria's history converge. Its current state of underdevelopment is not just an economic misstep but a cultural oversight. Transforming Badagry into a thriving tourism hub is a duty owed to the past and an investment in the future. 


By addressing its infrastructural challenges, implementing a strategic development plan, and marketing its unique story to the world, Badagry can finally transition from a symbol of pain and a forgotten cradle of learning to a beacon of cultural resilience, education, and sustainable economic prosperity for Lagos State and Nigeria as a whole.

 By: Manoah Kikekon 


Badagry February 1851 and Manoah Kikekon 


Nestled along the serene coastline of Lagos State, the ancient town of Badagry or Badagri stands as a living museum, a place where the whispers of a painful past collide with the quiet hopes of a future yet to be realized. As the first point of European contact in Nigeria, a critical gateway during the transatlantic slave trade, and the undisputed cradle of Western education in Nigeria, Badagry is a foundational chapter in the nation's story. Yet, despite possessing a historical significance that should place it on the global tourism map, Badagry remains a footnote in Nigeria’s tourism strategy, its potential languishing from a lack of the required attention and strategic development.


The First Point of Contact: A Historical Crucible

Badagry’s role in Nigerian and African history is unparalleled. Founded in the early 15th century, it became a major hub for commerce. However, its destiny was irrevocably altered with the arrival of Portuguese explorers and, later, other European powers. By the 18th century, it had transformed into a brutal epicenter of the slave trade, earning the grim moniker "The Creek of Tears." 


Landmarks like the Point of No Return, the Seriki Abass Slave Barracoon, Mobee Slave Museum, and Vlekete Slave Market, where slaves were imprisoned and sold, stand as haunting testimonies to this era. This painful history, while a somber reminder, is the very bedrock of its tourism appeal, offering a pilgrimage site for the African diaspora and global historians.


The Cradle of Western Education in Nigeria: A Legacy of Light

Following the abolition of the slave trade, Badagry’s narrative pivoted from darkness to light, becoming the fertile ground where the seed of Western education in Nigeria was first planted. In 1842, the town witnessed another monumental first: the arrival of Christianity in Nigeria. The following year, 1843, the First Primary School in Nigeria was established by the Wesleyan Mission (Methodist Church) in the area now known as Marina. 


This was swiftly followed by the founding of the Nursery of the Infant Church by the Church Missionary Society (CMS) in 1845. This incredible concentration of "firsts" solidifies Badagry's status as the undisputed birthplace of formal Western education in the country, a legacy that complements its earlier, more somber history.


A Tapestry of Tourism Assets Beyond History

Beyond the slave trade and education, Badagry’s tourism offerings are remarkably diverse. The First Storey Building in Nigeria, constructed in 1845 by the CMS, is where the Bible was first translated into Yoruba. The Agiya Tree Monument under which the first Christian sermon in Nigeria was preached in 1842, are major attractions for religious tourism.


Furthermore, its natural assets are stunning pristine beaches like Suntan Beach and Gberefu Beach offer breathtaking vistas of the Atlantic. This unique combination of cultural, historical, educational, religious, and eco-tourism assets creates a multifaceted destination capable of attracting a wide range of visitors.


The Persistent Infrastructure Deficit: A Tourism Bottleneck

Despite its immense potential, Badagry’s growth has been stymied by a critical infrastructure deficit. The most significant barrier is accessibility. The single road leading from Lagos metropolis to Badagry is perennially congested and in a state of disrepair, making what should be a scenic journey a grueling hours-long ordeal.


This lack of a smooth transport corridor discourages day-trippers and international tourists alike. Within the town itself, the supporting infrastructure is weak: erratic power supply, underdeveloped road networks connecting the various sites, a lack of reliable public transportation, and limited potable water. These deficiencies create an unwelcoming environment for tourists accustomed to basic comforts and ease of movement.


The Development Paradox: Neglect and Missed Opportunities

The neglect of Badagry represents a profound paradox. While it is frequently mentioned in political rhetoric and development plans, tangible action has been scarce. There is a notable absence of large-scale, government-driven investment to preserve its historical sites to international standards, build modern museums to showcase its educational heritage, or develop its beaches with necessary amenities.


This lack of attention has resulted in a failure to create a cohesive "tourist experience." Many sites are maintained by local families or communities with limited resources. The opportunity to create a world-class heritage destination that educates, generates significant revenue, and creates thousands of jobs continues to be missed.


The Blueprint for a Renaissance: Strategic Recommendations

Unlocking Badagry’s potential requires a deliberate and multi-faceted strategy. First, government intervention is critical. This must include urgent road construction, providing stable power and water infrastructure, and granting special status to Badagry as a UNESCO World Heritage Site candidate. Achieving this requires Badagrians deliberate and direct involvement in Lagos governance process in one voice.


Second, Public-Private Partnerships (PPPs) are essential for developing high-quality amenities boutique hotels, resorts, curated tours, and restaurant facilities. Finally, community involvement is non-negotiable. The local population must be active stakeholders, trained as tour guides, hospitality staff, and artisans, ensuring that tourism revenue benefits the community and fosters a sense of ownership and pride in preserving their heritage.


A Call to Honour the Past by Investing in the Future

Badagry is more than just a tourist destination; it is a sacred ground of collective memory. It is a place where the darkest and most enlightened chapters of Nigeria's history converge. Its current state of underdevelopment is not just an economic misstep but a cultural oversight. Transforming Badagry into a thriving tourism hub is a duty owed to the past and an investment in the future. 


By addressing its infrastructural challenges, implementing a strategic development plan, and marketing its unique story to the world, Badagry can finally transition from a symbol of pain and a forgotten cradle of learning to a beacon of cultural resilience, education, and sustainable economic prosperity for Lagos State and Nigeria as a whole.

ATPN South West Appoints Iwaya Olori Rebecca Oloko, Director of Corporate Relations

ATPN South West Appoints Iwaya Olori Rebecca Oloko, Director of Corporate Relations

 By: Manoah Kikekon 


ATPN and Olori Rebecca Temitope Oloko


LAGOS, Nigeria – In a strategic move to bolster tourism development in South West Nigeria, the Association of Tourism Practitioners of Nigeria (ATPN) has announced the appointment of Her Royal Majesty, Olori Rebecca Temitope Oloko, the Queen of Iwaya Kingdom, as its new Director of Corporate Relations and Engagement for the South West Region.


The appointment was officially approved by the office of the ATPN Vice President for the South West, Hon. Apata Samson Nunayon. This key decision is aimed at leveraging Olori Oloko's extensive influence and proven track record to forge stronger alliances between the government and the private sector.


Announcing the appointment, Hon. Apata Samson Nunayon highlighted Olori Oloko's significant contributions to the tourism landscape. "Olori has been a outstanding ambassador for tourism in South West Nigeria," he stated. "It is only fitting that we make such a passionate and respected individual our face to engage all other stakeholders. Her role will be crucial for those seeking to partner with us to boost the image and economic potential of our industry."


In her new capacity, Olori Oloko will be responsible for spearheading stakeholder engagement, developing strategic corporate partnerships, and enhancing the overall visibility and investment appeal of the South West's tourism sector. The region is home to some of Nigeria's most iconic cultural heritage sites, bustling eco-tourism destinations, and a vibrant creative industry.


Warmly accepting the prestigious office, Olori Rebecca Temitope Oloko expressed her gratitude to Hon. Apata and the ATPN for the confidence reposed in her. She emphasized the urgent need to harness the region's vast potential.


"I am deeply honored by this appointment," Olori Oloko said. "It is high time we took tourism seriously in this region of Nigeria. We are the guardians of major tourism havens, which are powerful tools we can use to transform the South West's economy, create jobs, and showcase our rich culture to the world. I am committed to working tirelessly to foster the collaborations necessary to achieve this vision."


This appointment is widely seen as a positive step towards creating a more unified and professionally driven tourism industry in South West Nigeria, with royal diplomacy playing a central role in its corporate engagement strategy.


 By: Manoah Kikekon 


ATPN and Olori Rebecca Temitope Oloko


LAGOS, Nigeria – In a strategic move to bolster tourism development in South West Nigeria, the Association of Tourism Practitioners of Nigeria (ATPN) has announced the appointment of Her Royal Majesty, Olori Rebecca Temitope Oloko, the Queen of Iwaya Kingdom, as its new Director of Corporate Relations and Engagement for the South West Region.


The appointment was officially approved by the office of the ATPN Vice President for the South West, Hon. Apata Samson Nunayon. This key decision is aimed at leveraging Olori Oloko's extensive influence and proven track record to forge stronger alliances between the government and the private sector.


Announcing the appointment, Hon. Apata Samson Nunayon highlighted Olori Oloko's significant contributions to the tourism landscape. "Olori has been a outstanding ambassador for tourism in South West Nigeria," he stated. "It is only fitting that we make such a passionate and respected individual our face to engage all other stakeholders. Her role will be crucial for those seeking to partner with us to boost the image and economic potential of our industry."


In her new capacity, Olori Oloko will be responsible for spearheading stakeholder engagement, developing strategic corporate partnerships, and enhancing the overall visibility and investment appeal of the South West's tourism sector. The region is home to some of Nigeria's most iconic cultural heritage sites, bustling eco-tourism destinations, and a vibrant creative industry.


Warmly accepting the prestigious office, Olori Rebecca Temitope Oloko expressed her gratitude to Hon. Apata and the ATPN for the confidence reposed in her. She emphasized the urgent need to harness the region's vast potential.


"I am deeply honored by this appointment," Olori Oloko said. "It is high time we took tourism seriously in this region of Nigeria. We are the guardians of major tourism havens, which are powerful tools we can use to transform the South West's economy, create jobs, and showcase our rich culture to the world. I am committed to working tirelessly to foster the collaborations necessary to achieve this vision."


This appointment is widely seen as a positive step towards creating a more unified and professionally driven tourism industry in South West Nigeria, with royal diplomacy playing a central role in its corporate engagement strategy.


Badagry Set to Host Legendary Tunde Kelani at Pre-Festival Screening of ‘Dazzling Mirage

Badagry Set to Host Legendary Tunde Kelani at Pre-Festival Screening of ‘Dazzling Mirage

 By: Manoah Kikekon 


Tunde Kelani and BIFIF 


The historic coastal town of Badagry is gearing up for a cinematic spectacle as it hosts a pre-festival screening of the critically acclaimed drama "Dazzling Mirage" in honor of legendary filmmaker Tunde Kelani. 


The event, organized by the Badagry International Film and Sport Festival (BIFFS), will take place on Saturday, 9th August 2025, at the iconic Badagry Slave Market, promising an unforgettable blend of film, culture, and intellectual discourse.  


Directed by Kunle Afolayan, Dazzling Mirage features an all-star cast including Kemi "Lala" Akindoju, Bimbo Manuel, Yomi Fash-Lanso, Taiwo Ajai-Lycett, and Seun Akindele. The film tells the inspiring story of a young woman battling sickle cell anaemia, weaving themes of love, perseverance, and societal stigma into a powerful narrative. The pre-festival screening aims to spotlight Nollywood’s storytelling excellence while celebrating Kelani’s immense contributions to African cinema.  


In an exclusive chat with Viyon Awhanse, founder of the Badagry International Film and Sport Festival, he revealed that the event is part of a broader vision to boost Badagry’s tourism and film industry. 


"Our goal is to position Badagry as a prime filming destination. We are committed to ensuring a movie is shot here every three months, and so far, we’ve been successful," Awhanse stated. The festival seeks to attract filmmakers, investors, and tourists, leveraging Badagry’s rich history and scenic landscapes. 


The event kicks off at 10 AM and is expected to draw film lovers, industry stakeholders, and cultural enthusiasts from across Nigeria. Organizers describe it as a “day of cinema, Games, conversation, and culture”, setting the stage for the full Badagry International Film Festival later in the year.

 By: Manoah Kikekon 


Tunde Kelani and BIFIF 


The historic coastal town of Badagry is gearing up for a cinematic spectacle as it hosts a pre-festival screening of the critically acclaimed drama "Dazzling Mirage" in honor of legendary filmmaker Tunde Kelani. 


The event, organized by the Badagry International Film and Sport Festival (BIFFS), will take place on Saturday, 9th August 2025, at the iconic Badagry Slave Market, promising an unforgettable blend of film, culture, and intellectual discourse.  


Directed by Kunle Afolayan, Dazzling Mirage features an all-star cast including Kemi "Lala" Akindoju, Bimbo Manuel, Yomi Fash-Lanso, Taiwo Ajai-Lycett, and Seun Akindele. The film tells the inspiring story of a young woman battling sickle cell anaemia, weaving themes of love, perseverance, and societal stigma into a powerful narrative. The pre-festival screening aims to spotlight Nollywood’s storytelling excellence while celebrating Kelani’s immense contributions to African cinema.  


In an exclusive chat with Viyon Awhanse, founder of the Badagry International Film and Sport Festival, he revealed that the event is part of a broader vision to boost Badagry’s tourism and film industry. 


"Our goal is to position Badagry as a prime filming destination. We are committed to ensuring a movie is shot here every three months, and so far, we’ve been successful," Awhanse stated. The festival seeks to attract filmmakers, investors, and tourists, leveraging Badagry’s rich history and scenic landscapes. 


The event kicks off at 10 AM and is expected to draw film lovers, industry stakeholders, and cultural enthusiasts from across Nigeria. Organizers describe it as a “day of cinema, Games, conversation, and culture”, setting the stage for the full Badagry International Film Festival later in the year.

"I BAD" – Destiny Omon Renames Controversial Movie After Backlash from Badagry Community

"I BAD" – Destiny Omon Renames Controversial Movie After Backlash from Badagry Community

By: Manoah Kikekon 




Nigerian filmmaker Destiny Austine Omon has officially renamed his upcoming movie from Badagry: I Bad I Gree to I BAD following severe backlash from the Badagry community. The initial title sparked outrage among residents, who accused it of misrepresenting their culture and identity.  


The controversy erupted after the movie’s title was perceived as an affront to the people of Badagry, a historic town in Lagos State known for its rich heritage. Many took to social media to demand a ban on the film, arguing that the title unfairly tarnished their community’s image. In response, Omon issued a public apology and announced the title change in a press statement released today.  


In the statement, Omon clarified that the film was never meant to depict or reference the Badagry people. "We acknowledge the emotional and cultural significance of the name Badagry and sincerely apologize for any distress caused," he said. The National Film and Video Censors Board (NFVCB) also intervened, prompting the decision to rebrand the project as I BAD to avoid further misunderstanding.


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims


Earlier today, Omon took to his social media to defend his creative choices, stating, "The title of a movie is a creative representation and does not have anything to do with the people in question." He compared his film to other movies named after cities, such as New York, arguing that titles are often symbolic. However, after mounting pressure, he opted for the name change to maintain peace and respect cultural sensitivities.  


Despite the controversy, the VIP premiere of I BAD is set to hold today, July 4, 2025, at the Victor Waifo Creative Hub in Benin City. The event will feature industry stakeholders, cast members, and media personalities. Omon reassured the public that the film’s storyline is entirely fictional and unrelated to any specific ethnic group or location.  


This incident highlights the growing importance of cultural sensitivity in Nigeria’s film industry. As Nollywood continues to expand its global reach, filmmakers are increasingly being held accountable for how they portray communities. Omon’s decision to rename the film sets a precedent for balancing creative expression with social responsibility.

By: Manoah Kikekon 




Nigerian filmmaker Destiny Austine Omon has officially renamed his upcoming movie from Badagry: I Bad I Gree to I BAD following severe backlash from the Badagry community. The initial title sparked outrage among residents, who accused it of misrepresenting their culture and identity.  


The controversy erupted after the movie’s title was perceived as an affront to the people of Badagry, a historic town in Lagos State known for its rich heritage. Many took to social media to demand a ban on the film, arguing that the title unfairly tarnished their community’s image. In response, Omon issued a public apology and announced the title change in a press statement released today.  


In the statement, Omon clarified that the film was never meant to depict or reference the Badagry people. "We acknowledge the emotional and cultural significance of the name Badagry and sincerely apologize for any distress caused," he said. The National Film and Video Censors Board (NFVCB) also intervened, prompting the decision to rebrand the project as I BAD to avoid further misunderstanding.


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims


Earlier today, Omon took to his social media to defend his creative choices, stating, "The title of a movie is a creative representation and does not have anything to do with the people in question." He compared his film to other movies named after cities, such as New York, arguing that titles are often symbolic. However, after mounting pressure, he opted for the name change to maintain peace and respect cultural sensitivities.  


Despite the controversy, the VIP premiere of I BAD is set to hold today, July 4, 2025, at the Victor Waifo Creative Hub in Benin City. The event will feature industry stakeholders, cast members, and media personalities. Omon reassured the public that the film’s storyline is entirely fictional and unrelated to any specific ethnic group or location.  


This incident highlights the growing importance of cultural sensitivity in Nigeria’s film industry. As Nollywood continues to expand its global reach, filmmakers are increasingly being held accountable for how they portray communities. Omon’s decision to rename the film sets a precedent for balancing creative expression with social responsibility.

I Bad I Gree" Director Apologizes to Badagry, Invites Community Representatives to Movie Premiere in Benin

I Bad I Gree" Director Apologizes to Badagry, Invites Community Representatives to Movie Premiere in Benin

By: Manoah Kikekon 


Destiny Omon 


Destiny Austine Omon, the director of the upcoming movie Badagry: I Bad I Gree, has issued a public apology to the people of Badagry, clarifying that the film does not negatively portray their community or culture. 


In a press statement released today, Omon extended an official invitation to Badagry representatives to attend the movie’s premiere in Benin City.  

 

Press Release 

The controversy began when concerns were raised over the film’s initial title, Badagry, with critics suggesting it could harm the town’s reputation. Omon, however, emphasized that the movie is entirely fictional and has no connection to the real Badagry or its people. "Our creative direction was never intended to reference or portray the heritage of Badagry," he stated.  


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Following intervention by the National Film and Video Censors Board (NFVCB), the film was retitled I BAD to avoid further misunderstandings. Omon expressed gratitude for the regulatory body’s guidance, stating that the change reflects a commitment to cultural sensitivity.  

  

The VIP premiere of I BAD is scheduled for July 4, 2025, at the Victor Waifo Creative Hub, Airport Road, Benin City. Industry stakeholders, cast members, and media personalities are expected to attend. Omon has personally invited representatives from Badagry to witness the film firsthand and judge its content objectively.  


Earlier today, Omon took to his social media to address critics, stating, "It is unfair to criticize a movie you haven’t watched. The title is a creative representation and has no connection to the people of Badagry." He further compared the situation to films like New York, which bear city names without depicting actual events.  


Omon reassured the public that I Bad I Gree contains no insulting or derogatory content about Nigeria or any state. "I would never insult my country or any community," he affirmed. The film explores themes of personal identity and societal struggles in a fictional setting, with no ties to real locations.  


The director concluded by thanking the public for their feedback and urging them to support Nigerian cinema. "We learn and grow from constructive criticism," he said. "We hope the people of Badagry will join us in celebrating this project."  


With tensions easing and the premiere set to proceed, all eyes are now on I Bad I Gree as it debuts in Benin City. 

By: Manoah Kikekon 


Destiny Omon 


Destiny Austine Omon, the director of the upcoming movie Badagry: I Bad I Gree, has issued a public apology to the people of Badagry, clarifying that the film does not negatively portray their community or culture. 


In a press statement released today, Omon extended an official invitation to Badagry representatives to attend the movie’s premiere in Benin City.  

 

Press Release 

The controversy began when concerns were raised over the film’s initial title, Badagry, with critics suggesting it could harm the town’s reputation. Omon, however, emphasized that the movie is entirely fictional and has no connection to the real Badagry or its people. "Our creative direction was never intended to reference or portray the heritage of Badagry," he stated.  


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Following intervention by the National Film and Video Censors Board (NFVCB), the film was retitled I BAD to avoid further misunderstandings. Omon expressed gratitude for the regulatory body’s guidance, stating that the change reflects a commitment to cultural sensitivity.  

  

The VIP premiere of I BAD is scheduled for July 4, 2025, at the Victor Waifo Creative Hub, Airport Road, Benin City. Industry stakeholders, cast members, and media personalities are expected to attend. Omon has personally invited representatives from Badagry to witness the film firsthand and judge its content objectively.  


Earlier today, Omon took to his social media to address critics, stating, "It is unfair to criticize a movie you haven’t watched. The title is a creative representation and has no connection to the people of Badagry." He further compared the situation to films like New York, which bear city names without depicting actual events.  


Omon reassured the public that I Bad I Gree contains no insulting or derogatory content about Nigeria or any state. "I would never insult my country or any community," he affirmed. The film explores themes of personal identity and societal struggles in a fictional setting, with no ties to real locations.  


The director concluded by thanking the public for their feedback and urging them to support Nigerian cinema. "We learn and grow from constructive criticism," he said. "We hope the people of Badagry will join us in celebrating this project."  


With tensions easing and the premiere set to proceed, all eyes are now on I Bad I Gree as it debuts in Benin City. 

Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims

Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims

By: Manoah Kikekon 




Veteran filmmaker and former Badagry Local Government Chairman, Tunde Alabi-Hundeyin (aka Dudu), has raised strong objections against the controversial movie title "Badagry: I Bad I Gree," accusing it of tarnishing the historic town’s peaceful reputation.  


In a viral online statement, Hundeyin revealed that the National Film and Video Censors Board (NFVCB) has withheld the film’s classification following petitions from Badagry residents. 


The board’s Director-General, Dr. Shaibu Husseini, allegedly confirmed that approval was suspended unless the title is changed though no official statement has been released.  


Rated News 

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Produced by Ghana-based Nigerian filmmaker Destiny Omon, the movie reportedly delves into crime themes like kidnapping and drug abuse. 


While the producer claims the title reflects its Badagry filming location, critics argue it unfairly stereotypes a town celebrated for its rich heritage and tourism.  


This controversy echoes past disputes, including the backlash against "Gangs of Lagos" for its portrayal of the Eyo masquerade, highlighting growing demands for accurate cultural representation in Nollywood.  


Will the film’s Benin City premiere proceed? Stakeholders await further updates.  


By: Manoah Kikekon 




Veteran filmmaker and former Badagry Local Government Chairman, Tunde Alabi-Hundeyin (aka Dudu), has raised strong objections against the controversial movie title "Badagry: I Bad I Gree," accusing it of tarnishing the historic town’s peaceful reputation.  


In a viral online statement, Hundeyin revealed that the National Film and Video Censors Board (NFVCB) has withheld the film’s classification following petitions from Badagry residents. 


The board’s Director-General, Dr. Shaibu Husseini, allegedly confirmed that approval was suspended unless the title is changed though no official statement has been released.  


Rated News 

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Produced by Ghana-based Nigerian filmmaker Destiny Omon, the movie reportedly delves into crime themes like kidnapping and drug abuse. 


While the producer claims the title reflects its Badagry filming location, critics argue it unfairly stereotypes a town celebrated for its rich heritage and tourism.  


This controversy echoes past disputes, including the backlash against "Gangs of Lagos" for its portrayal of the Eyo masquerade, highlighting growing demands for accurate cultural representation in Nollywood.  


Will the film’s Benin City premiere proceed? Stakeholders await further updates.  


Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree

 By: Manoah Kikekon 



Destiny Austine Omon, the producer of the upcoming Nollywood movie Badagry, has hit back at critics from the Badagry community, stating that it is unethical to judge a film without watching it first. 


His statement comes after backlash from Badagry residents who claim the movie portrays their town in a negative light, tarnishing its rich cultural heritage.


In an exclusive interview with News Peddlers on Thursday, July, 3rd 2025, Omon expressed frustration over the premature criticism. "I'm happy we have many big movie producers from Badagry, and one of the ethics of filmmaking is that you don’t critique a movie you haven’t watched," he said. 


"No one has seen the film, yet they are already threatening me on social media. I’m taking note of everything, and I may not take this lightly."


The producer clarified that the movie was not shot in Badagry and does not explicitly identify the setting as the town. "We did not say this is Badagry. It’s a creative representation. The fact that I got inspiration while visiting Badagry is not a crime," he argued. 


He also hinted that the controversy has inadvertently boosted the film’s publicity, even catching the attention of President Bola Tinubu. 


Omon revealed that the movie received support from the Edo State Government, further legitimizing the project. "As a Nigerian, I won’t open my eyes and insult my country. 


This is a work of art," he stated. However, he declined to disclose details about the plot, protagonist, or antagonist, leaving audiences curious ahead of its July 4, 2025, release.   


Several Badagry groups have intensified calls for the movie’s cancellation. The Ogu General Assembly (OGA), led by Prof. Jendele Hungbo, issued a strongly worded statement condemning the film "Badagry: I Bad, I Gree" and demanding its indefinite stoppage.  


The OGA argues that the film’s title and alleged content misrepresent the Ogu people, glorifying gangsterism and cultism. "We demand the immediate cancellation of the film’s release and the removal of all promotional materials," the statement read. The group threatened legal action if their demands are ignored. 


Adding to the pressure, the Worldwide Ogu Concept (WOC), an indigenous group, also condemned the film, describing its portrayal of Badagry as "derogatory and insulting." In a petition signed by Mr. Zannu Joseph, the WOC called on the Nigeria Film and Video Censors Board (NFVCB) and Lagos State Film and Video Censors Board to halt the movie’s release.  


The WOC emphasized that Badagry is known for its tourism, hospitality, and economic significance, not crime. "The movie’s title and content are unacceptable. We demand an apology from the producer," the petition stated.  


Hon. Sesi Oluwaseun Whingan, the House of Representatives member representing Badagry Federal Constituency, also condemned the film. In a press statement, he described the portrayal of Badagry as "a deliberate affront" to the town’s heritage.


Whingan called on regulatory bodies to investigate and withdraw the movie, warning that Badagry’s peaceful reputation must not be tarnished. "We will engage the producers through legal channels. Badagry is a historic town, not a den of criminals," he added.


Morka Ray, the Co-founder Kiss the chiled Entertainment describes the recent film industry development as both interesting and worrying. It's interesting because it highlights a crucial need for more creativity and sensitivity in film titles and narratives, urging the industry to be more conscious of its art and societal impact. However, "it's worrying because it risks stifling creative voices through public outrage, setting a dangerous precedent for censorship and self-censorship, which could undermine art's role in critiquing society."


While acknowledging valid concerns about misrepresentation, Ray argues that calls for outright bans are excessive. He advocates for a balance between cultural sensitivity and freedom of expression, encouraging filmmakers to be more thoughtful in their storytelling. Ultimately, he believes such protests can encourage better creative discipline, but warns against suppressing artistic work, which could harm the industry.


Meanwhile when some of the Producer's and Directors from Badagry were contacted, in the persons of Segun Arinze, Viyon Awhanse, Mawuyon Ogun, they also hold the opinion that the producer or filmmakers should have done their research before doing such. We couldn't reach Sewedo Nupowaku, Medeyonmi Akran, Mautin Tairu et al for their insight on the matter

 By: Manoah Kikekon 



Destiny Austine Omon, the producer of the upcoming Nollywood movie Badagry, has hit back at critics from the Badagry community, stating that it is unethical to judge a film without watching it first. 


His statement comes after backlash from Badagry residents who claim the movie portrays their town in a negative light, tarnishing its rich cultural heritage.


In an exclusive interview with News Peddlers on Thursday, July, 3rd 2025, Omon expressed frustration over the premature criticism. "I'm happy we have many big movie producers from Badagry, and one of the ethics of filmmaking is that you don’t critique a movie you haven’t watched," he said. 


"No one has seen the film, yet they are already threatening me on social media. I’m taking note of everything, and I may not take this lightly."


The producer clarified that the movie was not shot in Badagry and does not explicitly identify the setting as the town. "We did not say this is Badagry. It’s a creative representation. The fact that I got inspiration while visiting Badagry is not a crime," he argued. 


He also hinted that the controversy has inadvertently boosted the film’s publicity, even catching the attention of President Bola Tinubu. 


Omon revealed that the movie received support from the Edo State Government, further legitimizing the project. "As a Nigerian, I won’t open my eyes and insult my country. 


This is a work of art," he stated. However, he declined to disclose details about the plot, protagonist, or antagonist, leaving audiences curious ahead of its July 4, 2025, release.   


Several Badagry groups have intensified calls for the movie’s cancellation. The Ogu General Assembly (OGA), led by Prof. Jendele Hungbo, issued a strongly worded statement condemning the film "Badagry: I Bad, I Gree" and demanding its indefinite stoppage.  


The OGA argues that the film’s title and alleged content misrepresent the Ogu people, glorifying gangsterism and cultism. "We demand the immediate cancellation of the film’s release and the removal of all promotional materials," the statement read. The group threatened legal action if their demands are ignored. 


Adding to the pressure, the Worldwide Ogu Concept (WOC), an indigenous group, also condemned the film, describing its portrayal of Badagry as "derogatory and insulting." In a petition signed by Mr. Zannu Joseph, the WOC called on the Nigeria Film and Video Censors Board (NFVCB) and Lagos State Film and Video Censors Board to halt the movie’s release.  


The WOC emphasized that Badagry is known for its tourism, hospitality, and economic significance, not crime. "The movie’s title and content are unacceptable. We demand an apology from the producer," the petition stated.  


Hon. Sesi Oluwaseun Whingan, the House of Representatives member representing Badagry Federal Constituency, also condemned the film. In a press statement, he described the portrayal of Badagry as "a deliberate affront" to the town’s heritage.


Whingan called on regulatory bodies to investigate and withdraw the movie, warning that Badagry’s peaceful reputation must not be tarnished. "We will engage the producers through legal channels. Badagry is a historic town, not a den of criminals," he added.


Morka Ray, the Co-founder Kiss the chiled Entertainment describes the recent film industry development as both interesting and worrying. It's interesting because it highlights a crucial need for more creativity and sensitivity in film titles and narratives, urging the industry to be more conscious of its art and societal impact. However, "it's worrying because it risks stifling creative voices through public outrage, setting a dangerous precedent for censorship and self-censorship, which could undermine art's role in critiquing society."


While acknowledging valid concerns about misrepresentation, Ray argues that calls for outright bans are excessive. He advocates for a balance between cultural sensitivity and freedom of expression, encouraging filmmakers to be more thoughtful in their storytelling. Ultimately, he believes such protests can encourage better creative discipline, but warns against suppressing artistic work, which could harm the industry.


Meanwhile when some of the Producer's and Directors from Badagry were contacted, in the persons of Segun Arinze, Viyon Awhanse, Mawuyon Ogun, they also hold the opinion that the producer or filmmakers should have done their research before doing such. We couldn't reach Sewedo Nupowaku, Medeyonmi Akran, Mautin Tairu et al for their insight on the matter

Exclusive: Badagry Born, Nigerian Artist Francis Agemo Wows Benin Republic with One-Month Art Exhibition

Exclusive: Badagry Born, Nigerian Artist Francis Agemo Wows Benin Republic with One-Month Art Exhibition

 By: Manoah Kikekon 

Francis Sewanu Agemo Celebrates Family, Identity, and Resilience in Groundbreaking Maison Rouge Exhibition


Michael Agemo on the right and Frances Agemo on the Left 


Francis Sewanu Agemo, a multidisciplinary Nigerian artist from Badagry, has successfully concluded his one-month art exhibition at Maison Rouge in Cotonou, Benin Republic. The exhibition, which ran until June 8, featured a dual showcase with his brother, Michael Agemo, marking another milestone in Frances’ flourishing career. Known for his versatility across different artistic mediums, Agemo captivated audiences with deeply personal pieces that celebrated the people closest to him.  


In an exclusive interview, Agemo revealed that this exhibition was a departure from his usual socio-political themes. "Most of the pieces here are my close family and friends people who are important to me," he shared. "I see everyone around me as an icon. This show is like a statement I wish to keep in my corner, reflecting the everyday lives of those I cherish." His works, often a commentary on societal issues, took a more intimate turn, offering viewers a glimpse into his personal world.  


 

Agemo’s artistic journey began under the mentorship of Ghanaian artist Friko before further training at Hotel the James and later in higher institutions. Graduating in 2008, he initially worked a corporate job but soon realized his passion was fading. "I resigned because I wasn’t happy my career was going into the water," he admitted. By 2012, he fully embraced art professionally, and by 2018, he was exhibiting internationally. His persistence paid off, with his works now gaining recognition across borders.  


Though this exhibition leaned toward personal narratives, Agemo remains deeply connected to socio-political themes. "I’ve always been drawn to the nuances in my environment how people are manipulated and how their voices are silenced," he explained. Many Nigerian artists, including Agemo, continue to use their craft to challenge oppression, hoping for governmental change. "There’s joy in speaking for the people, even when it’s tough," he added.  


Agemo had strong words for emerging artists: "Success doesn’t come overnight. You must perceive things differently, learn from others, and keep pushing." He emphasized resilience, hard work, and faith. "If you’re only chasing quick money, this path isn’t for you. Endure, persevere, and pray whether for yourself or through others." His journey stands as a testament to the power of dedication.  


With successful solo and joint exhibitions under his belt, Agemo shows no signs of slowing down. His ability to blend personal storytelling with broader societal themes makes his work uniquely compelling. As he continues to showcase his art globally, audiences eagerly await his next bold statement.  


For updates on Frances Agemo’s upcoming projects, follow his official social media pages via INSTAGRAM 

 By: Manoah Kikekon 

Francis Sewanu Agemo Celebrates Family, Identity, and Resilience in Groundbreaking Maison Rouge Exhibition


Michael Agemo on the right and Frances Agemo on the Left 


Francis Sewanu Agemo, a multidisciplinary Nigerian artist from Badagry, has successfully concluded his one-month art exhibition at Maison Rouge in Cotonou, Benin Republic. The exhibition, which ran until June 8, featured a dual showcase with his brother, Michael Agemo, marking another milestone in Frances’ flourishing career. Known for his versatility across different artistic mediums, Agemo captivated audiences with deeply personal pieces that celebrated the people closest to him.  


In an exclusive interview, Agemo revealed that this exhibition was a departure from his usual socio-political themes. "Most of the pieces here are my close family and friends people who are important to me," he shared. "I see everyone around me as an icon. This show is like a statement I wish to keep in my corner, reflecting the everyday lives of those I cherish." His works, often a commentary on societal issues, took a more intimate turn, offering viewers a glimpse into his personal world.  


 

Agemo’s artistic journey began under the mentorship of Ghanaian artist Friko before further training at Hotel the James and later in higher institutions. Graduating in 2008, he initially worked a corporate job but soon realized his passion was fading. "I resigned because I wasn’t happy my career was going into the water," he admitted. By 2012, he fully embraced art professionally, and by 2018, he was exhibiting internationally. His persistence paid off, with his works now gaining recognition across borders.  


Though this exhibition leaned toward personal narratives, Agemo remains deeply connected to socio-political themes. "I’ve always been drawn to the nuances in my environment how people are manipulated and how their voices are silenced," he explained. Many Nigerian artists, including Agemo, continue to use their craft to challenge oppression, hoping for governmental change. "There’s joy in speaking for the people, even when it’s tough," he added.  


Agemo had strong words for emerging artists: "Success doesn’t come overnight. You must perceive things differently, learn from others, and keep pushing." He emphasized resilience, hard work, and faith. "If you’re only chasing quick money, this path isn’t for you. Endure, persevere, and pray whether for yourself or through others." His journey stands as a testament to the power of dedication.  


With successful solo and joint exhibitions under his belt, Agemo shows no signs of slowing down. His ability to blend personal storytelling with broader societal themes makes his work uniquely compelling. As he continues to showcase his art globally, audiences eagerly await his next bold statement.  


For updates on Frances Agemo’s upcoming projects, follow his official social media pages via INSTAGRAM 

A New Ojo is Emerging - Labour Party Chairmanship Candidate Vows

A New Ojo is Emerging - Labour Party Chairmanship Candidate Vows

By: Manoah Kikekon 


Olumayowa Akogun-Abudu 


Hon. Olumayowa Akogun-Abudu, the Labour Party chairmanship candidate for Ojo Local Government in Lagos State, has promised to bring unprecedented change to Ojo if elected. 


Speaking at a meeting held at Alaba International Market, Akogun-Abudu declared that his administration would go beyond basic infrastructure to impact lives directly.  


"It becomes an aberration if I come here to tell you I'm going to do good roads or provide water," he said. "I’m going beyond that to be in the people's lives. These are basic necessities I should deliver without expecting thanks." The candidate emphasized that his focus would be on inclusive governance, ensuring that all residents, regardless of origin, feel represented and valued.  


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Akogun-Abudu, a retired Army officer with 13 years of service, described himself as a detribalized Nigerian. "It would be a waste of my experience if I refer to anyone as a non-indigene," he stated. "If you’ve traveled the world, you’d know that capitals and commercial hubs thrive on unity, not tribal divisions. Ojo must work for all."  


Calling on voters to support a credible leader, he admitted, "I am not perfect, but every word I’ve spoken here will be my bond, with God as my witness." He urged the people to reject divisive politics and embrace a vision of progress. "Vote for a man you can believe in. A new Ojo is emerging one where everyone has a voice and a future."  


The event, attended by traders, community leaders, and party supporters, ended with a renewed sense of optimism as Akogun-Abudu’s message resonated with the crowd. With the election approaching, his campaign is gaining momentum as residents anticipate the possibility of a transformed Ojo under his leadership.

By: Manoah Kikekon 


Olumayowa Akogun-Abudu 


Hon. Olumayowa Akogun-Abudu, the Labour Party chairmanship candidate for Ojo Local Government in Lagos State, has promised to bring unprecedented change to Ojo if elected. 


Speaking at a meeting held at Alaba International Market, Akogun-Abudu declared that his administration would go beyond basic infrastructure to impact lives directly.  


"It becomes an aberration if I come here to tell you I'm going to do good roads or provide water," he said. "I’m going beyond that to be in the people's lives. These are basic necessities I should deliver without expecting thanks." The candidate emphasized that his focus would be on inclusive governance, ensuring that all residents, regardless of origin, feel represented and valued.  


Related News: 

APC Known for Violence, But Ojo Will Be Safe in 2025 Chairmanship Election – LP Candidate Vows


EXCLUSIVE: LP's Olumayowa Abudu-Akogun Vows Inclusive Governance for Ojo LGA


Hon. Abudu-Akogun Olumayowa Emerges as Labour Party Chairmanship Candidate for Ojo LGA


Akogun-Abudu, a retired Army officer with 13 years of service, described himself as a detribalized Nigerian. "It would be a waste of my experience if I refer to anyone as a non-indigene," he stated. "If you’ve traveled the world, you’d know that capitals and commercial hubs thrive on unity, not tribal divisions. Ojo must work for all."  


Calling on voters to support a credible leader, he admitted, "I am not perfect, but every word I’ve spoken here will be my bond, with God as my witness." He urged the people to reject divisive politics and embrace a vision of progress. "Vote for a man you can believe in. A new Ojo is emerging one where everyone has a voice and a future."  


The event, attended by traders, community leaders, and party supporters, ended with a renewed sense of optimism as Akogun-Abudu’s message resonated with the crowd. With the election approaching, his campaign is gaining momentum as residents anticipate the possibility of a transformed Ojo under his leadership.

Hon. Mobolaji Ogunlende Celebrates children day at This Ability 4.0’

Hon. Mobolaji Ogunlende Celebrates children day at This Ability 4.0’

 By: Manoah Kikekon 






In a celebration of the 2025 Children’s Day, Hon. Mobolaji Ogunlende, Lagos State Commissioner for Youth and Social Development, graced "This Ability 4.0 - Empowering Voices," an inspiring initiative by Raising Star Africa. 


Held at Darlington Hall, Ilupeju, the event spotlighted talent, resilience, and entrepreneurship among children and youths with disabilities, aligning with the state government’s commitment to inclusivity.  


The program featured a dynamic lineup, including a parents' seminar, talent competition, art exhibition, and business grants for entrepreneurs with disabilities. Hon. Ogunlende praised the initiative, emphasizing the administration’s dedication to fostering an equitable society where every child thrives.  


"Today, we celebrate ability over disability," he declared. "Lagos State remains steadfast in creating opportunities for all youths, ensuring no one is left behind in our march toward a resilient and inclusive future."


The event not only honored Children’s Day but also amplified the voices of young individuals with disabilities, offering them platforms to showcase their skills and secure sustainable livelihoods. Attendees lauded the government’s partnership with Raising Star Africa, calling for more collaborations to bridge societal gaps.  


With initiatives like This Ability 4.0, Lagos continues to lead in youth empowerment and social inclusion, setting a benchmark for transformative governance.  

 By: Manoah Kikekon 






In a celebration of the 2025 Children’s Day, Hon. Mobolaji Ogunlende, Lagos State Commissioner for Youth and Social Development, graced "This Ability 4.0 - Empowering Voices," an inspiring initiative by Raising Star Africa. 


Held at Darlington Hall, Ilupeju, the event spotlighted talent, resilience, and entrepreneurship among children and youths with disabilities, aligning with the state government’s commitment to inclusivity.  


The program featured a dynamic lineup, including a parents' seminar, talent competition, art exhibition, and business grants for entrepreneurs with disabilities. Hon. Ogunlende praised the initiative, emphasizing the administration’s dedication to fostering an equitable society where every child thrives.  


"Today, we celebrate ability over disability," he declared. "Lagos State remains steadfast in creating opportunities for all youths, ensuring no one is left behind in our march toward a resilient and inclusive future."


The event not only honored Children’s Day but also amplified the voices of young individuals with disabilities, offering them platforms to showcase their skills and secure sustainable livelihoods. Attendees lauded the government’s partnership with Raising Star Africa, calling for more collaborations to bridge societal gaps.  


With initiatives like This Ability 4.0, Lagos continues to lead in youth empowerment and social inclusion, setting a benchmark for transformative governance.  

Badagry’s Viyon Awhanse Shines as Key Crew in First Nigerian Film at Cannes Film Festival "My Father’s Shadows"

Badagry’s Viyon Awhanse Shines as Key Crew in First Nigerian Film at Cannes Film Festival "My Father’s Shadows"

By: Manoah kikekon 


Left- Viyon Awhanse Akinola Davies Jnr ( Director) in the middle Dove Icon



The historic coastal town of Badagry is buzzing with pride as one of its own, Viyon Awhanse, plays a pivotal role in the critically acclaimed film "My Father’s Shadows," which has earned a prestigious spot at the Cannes Film Festival


While initial reports highlighted Awhanse’s on-screen presence, further details reveal his crucial behind-the-scenes contributions as a crew member, underscoring the importance of every role in filmmaking.  


My Father’s Shadows is the first film from Nigeria to be selected to play in the Cannes Film Festival, where it premiered Sunday in Un Certain Regard. Directed by Akinola Davies Jr. and co-written with his brother Wale Davies, is a groundbreaking film that premiered at the 2025 Cannes Film Festival on May 18, 2025. 


The film is a gripping drama that has captivated audiences with its powerful storytelling and emotional depth. Awhanse’s expertise as a production manager and filmmaker was instrumental in bringing the director’s vision to life. His meticulous attention to detail and leadership ensured smooth production, proving that great films are made not just by stars in front of the camera but also by dedicated professionals behind it. 


Viyon Awhanse


This Cannes selection is a crowning achievement for Awhanse, who has spent years elevating Nigerian cinema through his work in production management, directing, and advocacy. His journey from Badagry a town steeped in history and culture to the global stage of Cannes is a testament to his perseverance and the rising influence of Nollywood in international cinema.  


The Cannes Film Festival is one of the most prestigious platforms for filmmakers worldwide, offering unparalleled exposure and distribution opportunities. The inclusion of "My Father’s Shadows" highlights the growing sophistication of Nigerian films and their increasing appeal to global audiences.  


Left- Viyon Awhanse Funmbi Ogunbanwo ( Producer) in the middle Dove Icon-  right


For Awhanse, this moment is more than personal success it’s a victory for Nigerian crew members who often work tirelessly without recognition. His presence at Cannes inspires aspiring filmmakers from Badagry and beyond, proving that technical roles are just as vital as acting in cinematic success.  


Beyond his work on "My Father’s Shadows," Awhanse is a renowned producer, director, and community advocate. Some of his notable projects include:  Director & Producer: "Sèblá" (2022). Associate Producer: "Peaceville" (2024). Production Manager: "The Origin: Madam Koi-Koi" (2023), "One Good Night" (2022), "Jemeji" (2017-2019), and "La Unidad" (2020)  


Awhanse is also the Founder and Festival Director of the Badagry International Film, Cultural, and Sports Festival (BIFIF), where he champions local talent and cultural storytelling. His initiatives, such as "Meet Your Mentors," empower young filmmakers in Badagry, reinforcing his commitment to developing Nigeria’s next generation of cinematic talent.  


As My Father’s Shadows prepares for its Cannes debut, all eyes are on Viyon Awhanse and the future of Nigerian filmmaking. His journey from Badagry to the global film stage sends a powerful message: dedication, skill, and passion can break barriers.  

My Father's Shadow Crew in Lagos and France 

For aspiring filmmakers and crew members, Awhanse’s story is a beacon of hope proof that behind every great film is a team of unsung heroes shaping its success.


My Father's Shadows is a semi-autobiographical drama is set over a single, pivotal day in Lagos in 1993, against the backdrop of the annulled democratic election and ensuing political unrest. The story follows Folarin (Sope Dirisu), an estranged father, as he takes his two young sons, Akin and Remi, on a journey through the chaotic city.


The film explores themes of father-son relationships, national identity, and the impact of political upheaval on personal lives. It has received critical acclaim for its emotional depth, technical brilliance, and strong performances, particularly from Sope Dirisu. "My Father's Shadow" was nominated for the Un Certain Regard Award and the Caméra d'Or at Cannes, and has been praised as a "masterwork by a first-time director."

By: Manoah kikekon 


Left- Viyon Awhanse Akinola Davies Jnr ( Director) in the middle Dove Icon



The historic coastal town of Badagry is buzzing with pride as one of its own, Viyon Awhanse, plays a pivotal role in the critically acclaimed film "My Father’s Shadows," which has earned a prestigious spot at the Cannes Film Festival


While initial reports highlighted Awhanse’s on-screen presence, further details reveal his crucial behind-the-scenes contributions as a crew member, underscoring the importance of every role in filmmaking.  


My Father’s Shadows is the first film from Nigeria to be selected to play in the Cannes Film Festival, where it premiered Sunday in Un Certain Regard. Directed by Akinola Davies Jr. and co-written with his brother Wale Davies, is a groundbreaking film that premiered at the 2025 Cannes Film Festival on May 18, 2025. 


The film is a gripping drama that has captivated audiences with its powerful storytelling and emotional depth. Awhanse’s expertise as a production manager and filmmaker was instrumental in bringing the director’s vision to life. His meticulous attention to detail and leadership ensured smooth production, proving that great films are made not just by stars in front of the camera but also by dedicated professionals behind it. 


Viyon Awhanse


This Cannes selection is a crowning achievement for Awhanse, who has spent years elevating Nigerian cinema through his work in production management, directing, and advocacy. His journey from Badagry a town steeped in history and culture to the global stage of Cannes is a testament to his perseverance and the rising influence of Nollywood in international cinema.  


The Cannes Film Festival is one of the most prestigious platforms for filmmakers worldwide, offering unparalleled exposure and distribution opportunities. The inclusion of "My Father’s Shadows" highlights the growing sophistication of Nigerian films and their increasing appeal to global audiences.  


Left- Viyon Awhanse Funmbi Ogunbanwo ( Producer) in the middle Dove Icon-  right


For Awhanse, this moment is more than personal success it’s a victory for Nigerian crew members who often work tirelessly without recognition. His presence at Cannes inspires aspiring filmmakers from Badagry and beyond, proving that technical roles are just as vital as acting in cinematic success.  


Beyond his work on "My Father’s Shadows," Awhanse is a renowned producer, director, and community advocate. Some of his notable projects include:  Director & Producer: "Sèblá" (2022). Associate Producer: "Peaceville" (2024). Production Manager: "The Origin: Madam Koi-Koi" (2023), "One Good Night" (2022), "Jemeji" (2017-2019), and "La Unidad" (2020)  


Awhanse is also the Founder and Festival Director of the Badagry International Film, Cultural, and Sports Festival (BIFIF), where he champions local talent and cultural storytelling. His initiatives, such as "Meet Your Mentors," empower young filmmakers in Badagry, reinforcing his commitment to developing Nigeria’s next generation of cinematic talent.  


As My Father’s Shadows prepares for its Cannes debut, all eyes are on Viyon Awhanse and the future of Nigerian filmmaking. His journey from Badagry to the global film stage sends a powerful message: dedication, skill, and passion can break barriers.  

My Father's Shadow Crew in Lagos and France 

For aspiring filmmakers and crew members, Awhanse’s story is a beacon of hope proof that behind every great film is a team of unsung heroes shaping its success.


My Father's Shadows is a semi-autobiographical drama is set over a single, pivotal day in Lagos in 1993, against the backdrop of the annulled democratic election and ensuing political unrest. The story follows Folarin (Sope Dirisu), an estranged father, as he takes his two young sons, Akin and Remi, on a journey through the chaotic city.


The film explores themes of father-son relationships, national identity, and the impact of political upheaval on personal lives. It has received critical acclaim for its emotional depth, technical brilliance, and strong performances, particularly from Sope Dirisu. "My Father's Shadow" was nominated for the Un Certain Regard Award and the Caméra d'Or at Cannes, and has been praised as a "masterwork by a first-time director."

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