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Showing posts with label Entertainment News. Show all posts

South-West Set for Tourism Revolution as ATPN International Expo 2025 Targets Grassroots Growth

South-West Set for Tourism Revolution as ATPN International Expo 2025 Targets Grassroots Growth

 By: Manoah Kikekon




LAGOS, Nigeria – The tourism landscape in South-West region of Nigeria is poised for a significant transformation as the Association of Tourism Practitioners of Nigeria (ATPN) announces its highly anticipated International Tourism Expo 2025. The landmark event is strategically designed to harness the untapped potential of States and position the region as a premier destination for global travellers and investors.


Scheduled for the 5th and 6th of December 2025 at the prestigious Airport Hotel in Lagos, the expo is built on the powerful theme: "Exploring The Power of Community-Based Tourism (CBT) In Driving Grassroots Development Through Strategic Collaboration." This focus highlights a shift towards sustainable tourism models that directly benefit local economies and preserve cultural heritage, moving beyond traditional tourism frameworks.


In a conversation with the event's Publicity Committee Chairman, Manoah Kikekon, he revealed that the ATPN South-West Region, under the leadership of Hon. Apata Samson Nunayon, is directly engaging with South West tourism authorities. 


“This is to ignite a new era of tourism-led economic transformation in the region,” Kikekon stated. He emphasized that the expo is “not just an event but a catalyst for unlocking the hidden treasures, cultural richness, and untapped tourist investment opportunities of the south-west.”


The two-day gathering is expected to be a melting pot of ideas, featuring industry experts, government officials, local community leaders, and international investors. Attendees can anticipate insightful keynote speeches, panel discussions on sustainable practices, workshops on community engagement, and exhibitions showcasing the unique cultural assets and investment prospects from across the South-West states.


This expo represents a critical step towards reshaping the economic narrative of the region through tourism. By fostering strategic collaboration between policymakers, practitioners, and communities, the ATPN 2025 Expo aims to create a actionable blueprint for development, ensuring that the benefits of tourism are felt at the grassroots level and solidifying Nigeria’s place on the international tourism map.

 By: Manoah Kikekon




LAGOS, Nigeria – The tourism landscape in South-West region of Nigeria is poised for a significant transformation as the Association of Tourism Practitioners of Nigeria (ATPN) announces its highly anticipated International Tourism Expo 2025. The landmark event is strategically designed to harness the untapped potential of States and position the region as a premier destination for global travellers and investors.


Scheduled for the 5th and 6th of December 2025 at the prestigious Airport Hotel in Lagos, the expo is built on the powerful theme: "Exploring The Power of Community-Based Tourism (CBT) In Driving Grassroots Development Through Strategic Collaboration." This focus highlights a shift towards sustainable tourism models that directly benefit local economies and preserve cultural heritage, moving beyond traditional tourism frameworks.


In a conversation with the event's Publicity Committee Chairman, Manoah Kikekon, he revealed that the ATPN South-West Region, under the leadership of Hon. Apata Samson Nunayon, is directly engaging with South West tourism authorities. 


“This is to ignite a new era of tourism-led economic transformation in the region,” Kikekon stated. He emphasized that the expo is “not just an event but a catalyst for unlocking the hidden treasures, cultural richness, and untapped tourist investment opportunities of the south-west.”


The two-day gathering is expected to be a melting pot of ideas, featuring industry experts, government officials, local community leaders, and international investors. Attendees can anticipate insightful keynote speeches, panel discussions on sustainable practices, workshops on community engagement, and exhibitions showcasing the unique cultural assets and investment prospects from across the South-West states.


This expo represents a critical step towards reshaping the economic narrative of the region through tourism. By fostering strategic collaboration between policymakers, practitioners, and communities, the ATPN 2025 Expo aims to create a actionable blueprint for development, ensuring that the benefits of tourism are felt at the grassroots level and solidifying Nigeria’s place on the international tourism map.

From Chains to Change: Badagry’s Painful Past Holds the Key to Lagos’ Tourism Future - By:Manoah Kikekon

From Chains to Change: Badagry’s Painful Past Holds the Key to Lagos’ Tourism Future - By:Manoah Kikekon

 By: Manoah Kikekon 


Badagry February 1851 and Manoah Kikekon 


Nestled along the serene coastline of Lagos State, the ancient town of Badagry or Badagri stands as a living museum, a place where the whispers of a painful past collide with the quiet hopes of a future yet to be realized. As the first point of European contact in Nigeria, a critical gateway during the transatlantic slave trade, and the undisputed cradle of Western education in Nigeria, Badagry is a foundational chapter in the nation's story. Yet, despite possessing a historical significance that should place it on the global tourism map, Badagry remains a footnote in Nigeria’s tourism strategy, its potential languishing from a lack of the required attention and strategic development.


The First Point of Contact: A Historical Crucible

Badagry’s role in Nigerian and African history is unparalleled. Founded in the early 15th century, it became a major hub for commerce. However, its destiny was irrevocably altered with the arrival of Portuguese explorers and, later, other European powers. By the 18th century, it had transformed into a brutal epicenter of the slave trade, earning the grim moniker "The Creek of Tears." 


Landmarks like the Point of No Return, the Seriki Abass Slave Barracoon, Mobee Slave Museum, and Vlekete Slave Market, where slaves were imprisoned and sold, stand as haunting testimonies to this era. This painful history, while a somber reminder, is the very bedrock of its tourism appeal, offering a pilgrimage site for the African diaspora and global historians.


The Cradle of Western Education in Nigeria: A Legacy of Light

Following the abolition of the slave trade, Badagry’s narrative pivoted from darkness to light, becoming the fertile ground where the seed of Western education in Nigeria was first planted. In 1842, the town witnessed another monumental first: the arrival of Christianity in Nigeria. The following year, 1843, the First Primary School in Nigeria was established by the Wesleyan Mission (Methodist Church) in the area now known as Marina. 


This was swiftly followed by the founding of the Nursery of the Infant Church by the Church Missionary Society (CMS) in 1845. This incredible concentration of "firsts" solidifies Badagry's status as the undisputed birthplace of formal Western education in the country, a legacy that complements its earlier, more somber history.


A Tapestry of Tourism Assets Beyond History

Beyond the slave trade and education, Badagry’s tourism offerings are remarkably diverse. The First Storey Building in Nigeria, constructed in 1845 by the CMS, is where the Bible was first translated into Yoruba. The Agiya Tree Monument under which the first Christian sermon in Nigeria was preached in 1842, are major attractions for religious tourism.


Furthermore, its natural assets are stunning pristine beaches like Suntan Beach and Gberefu Beach offer breathtaking vistas of the Atlantic. This unique combination of cultural, historical, educational, religious, and eco-tourism assets creates a multifaceted destination capable of attracting a wide range of visitors.


The Persistent Infrastructure Deficit: A Tourism Bottleneck

Despite its immense potential, Badagry’s growth has been stymied by a critical infrastructure deficit. The most significant barrier is accessibility. The single road leading from Lagos metropolis to Badagry is perennially congested and in a state of disrepair, making what should be a scenic journey a grueling hours-long ordeal.


This lack of a smooth transport corridor discourages day-trippers and international tourists alike. Within the town itself, the supporting infrastructure is weak: erratic power supply, underdeveloped road networks connecting the various sites, a lack of reliable public transportation, and limited potable water. These deficiencies create an unwelcoming environment for tourists accustomed to basic comforts and ease of movement.


The Development Paradox: Neglect and Missed Opportunities

The neglect of Badagry represents a profound paradox. While it is frequently mentioned in political rhetoric and development plans, tangible action has been scarce. There is a notable absence of large-scale, government-driven investment to preserve its historical sites to international standards, build modern museums to showcase its educational heritage, or develop its beaches with necessary amenities.


This lack of attention has resulted in a failure to create a cohesive "tourist experience." Many sites are maintained by local families or communities with limited resources. The opportunity to create a world-class heritage destination that educates, generates significant revenue, and creates thousands of jobs continues to be missed.


The Blueprint for a Renaissance: Strategic Recommendations

Unlocking Badagry’s potential requires a deliberate and multi-faceted strategy. First, government intervention is critical. This must include urgent road construction, providing stable power and water infrastructure, and granting special status to Badagry as a UNESCO World Heritage Site candidate. Achieving this requires Badagrians deliberate and direct involvement in Lagos governance process in one voice.


Second, Public-Private Partnerships (PPPs) are essential for developing high-quality amenities boutique hotels, resorts, curated tours, and restaurant facilities. Finally, community involvement is non-negotiable. The local population must be active stakeholders, trained as tour guides, hospitality staff, and artisans, ensuring that tourism revenue benefits the community and fosters a sense of ownership and pride in preserving their heritage.


A Call to Honour the Past by Investing in the Future

Badagry is more than just a tourist destination; it is a sacred ground of collective memory. It is a place where the darkest and most enlightened chapters of Nigeria's history converge. Its current state of underdevelopment is not just an economic misstep but a cultural oversight. Transforming Badagry into a thriving tourism hub is a duty owed to the past and an investment in the future. 


By addressing its infrastructural challenges, implementing a strategic development plan, and marketing its unique story to the world, Badagry can finally transition from a symbol of pain and a forgotten cradle of learning to a beacon of cultural resilience, education, and sustainable economic prosperity for Lagos State and Nigeria as a whole.

 By: Manoah Kikekon 


Badagry February 1851 and Manoah Kikekon 


Nestled along the serene coastline of Lagos State, the ancient town of Badagry or Badagri stands as a living museum, a place where the whispers of a painful past collide with the quiet hopes of a future yet to be realized. As the first point of European contact in Nigeria, a critical gateway during the transatlantic slave trade, and the undisputed cradle of Western education in Nigeria, Badagry is a foundational chapter in the nation's story. Yet, despite possessing a historical significance that should place it on the global tourism map, Badagry remains a footnote in Nigeria’s tourism strategy, its potential languishing from a lack of the required attention and strategic development.


The First Point of Contact: A Historical Crucible

Badagry’s role in Nigerian and African history is unparalleled. Founded in the early 15th century, it became a major hub for commerce. However, its destiny was irrevocably altered with the arrival of Portuguese explorers and, later, other European powers. By the 18th century, it had transformed into a brutal epicenter of the slave trade, earning the grim moniker "The Creek of Tears." 


Landmarks like the Point of No Return, the Seriki Abass Slave Barracoon, Mobee Slave Museum, and Vlekete Slave Market, where slaves were imprisoned and sold, stand as haunting testimonies to this era. This painful history, while a somber reminder, is the very bedrock of its tourism appeal, offering a pilgrimage site for the African diaspora and global historians.


The Cradle of Western Education in Nigeria: A Legacy of Light

Following the abolition of the slave trade, Badagry’s narrative pivoted from darkness to light, becoming the fertile ground where the seed of Western education in Nigeria was first planted. In 1842, the town witnessed another monumental first: the arrival of Christianity in Nigeria. The following year, 1843, the First Primary School in Nigeria was established by the Wesleyan Mission (Methodist Church) in the area now known as Marina. 


This was swiftly followed by the founding of the Nursery of the Infant Church by the Church Missionary Society (CMS) in 1845. This incredible concentration of "firsts" solidifies Badagry's status as the undisputed birthplace of formal Western education in the country, a legacy that complements its earlier, more somber history.


A Tapestry of Tourism Assets Beyond History

Beyond the slave trade and education, Badagry’s tourism offerings are remarkably diverse. The First Storey Building in Nigeria, constructed in 1845 by the CMS, is where the Bible was first translated into Yoruba. The Agiya Tree Monument under which the first Christian sermon in Nigeria was preached in 1842, are major attractions for religious tourism.


Furthermore, its natural assets are stunning pristine beaches like Suntan Beach and Gberefu Beach offer breathtaking vistas of the Atlantic. This unique combination of cultural, historical, educational, religious, and eco-tourism assets creates a multifaceted destination capable of attracting a wide range of visitors.


The Persistent Infrastructure Deficit: A Tourism Bottleneck

Despite its immense potential, Badagry’s growth has been stymied by a critical infrastructure deficit. The most significant barrier is accessibility. The single road leading from Lagos metropolis to Badagry is perennially congested and in a state of disrepair, making what should be a scenic journey a grueling hours-long ordeal.


This lack of a smooth transport corridor discourages day-trippers and international tourists alike. Within the town itself, the supporting infrastructure is weak: erratic power supply, underdeveloped road networks connecting the various sites, a lack of reliable public transportation, and limited potable water. These deficiencies create an unwelcoming environment for tourists accustomed to basic comforts and ease of movement.


The Development Paradox: Neglect and Missed Opportunities

The neglect of Badagry represents a profound paradox. While it is frequently mentioned in political rhetoric and development plans, tangible action has been scarce. There is a notable absence of large-scale, government-driven investment to preserve its historical sites to international standards, build modern museums to showcase its educational heritage, or develop its beaches with necessary amenities.


This lack of attention has resulted in a failure to create a cohesive "tourist experience." Many sites are maintained by local families or communities with limited resources. The opportunity to create a world-class heritage destination that educates, generates significant revenue, and creates thousands of jobs continues to be missed.


The Blueprint for a Renaissance: Strategic Recommendations

Unlocking Badagry’s potential requires a deliberate and multi-faceted strategy. First, government intervention is critical. This must include urgent road construction, providing stable power and water infrastructure, and granting special status to Badagry as a UNESCO World Heritage Site candidate. Achieving this requires Badagrians deliberate and direct involvement in Lagos governance process in one voice.


Second, Public-Private Partnerships (PPPs) are essential for developing high-quality amenities boutique hotels, resorts, curated tours, and restaurant facilities. Finally, community involvement is non-negotiable. The local population must be active stakeholders, trained as tour guides, hospitality staff, and artisans, ensuring that tourism revenue benefits the community and fosters a sense of ownership and pride in preserving their heritage.


A Call to Honour the Past by Investing in the Future

Badagry is more than just a tourist destination; it is a sacred ground of collective memory. It is a place where the darkest and most enlightened chapters of Nigeria's history converge. Its current state of underdevelopment is not just an economic misstep but a cultural oversight. Transforming Badagry into a thriving tourism hub is a duty owed to the past and an investment in the future. 


By addressing its infrastructural challenges, implementing a strategic development plan, and marketing its unique story to the world, Badagry can finally transition from a symbol of pain and a forgotten cradle of learning to a beacon of cultural resilience, education, and sustainable economic prosperity for Lagos State and Nigeria as a whole.

ATPN South West Appoints Iwaya Olori Rebecca Oloko, Director of Corporate Relations

ATPN South West Appoints Iwaya Olori Rebecca Oloko, Director of Corporate Relations

 By: Manoah Kikekon 


ATPN and Olori Rebecca Temitope Oloko


LAGOS, Nigeria – In a strategic move to bolster tourism development in South West Nigeria, the Association of Tourism Practitioners of Nigeria (ATPN) has announced the appointment of Her Royal Majesty, Olori Rebecca Temitope Oloko, the Queen of Iwaya Kingdom, as its new Director of Corporate Relations and Engagement for the South West Region.


The appointment was officially approved by the office of the ATPN Vice President for the South West, Hon. Apata Samson Nunayon. This key decision is aimed at leveraging Olori Oloko's extensive influence and proven track record to forge stronger alliances between the government and the private sector.


Announcing the appointment, Hon. Apata Samson Nunayon highlighted Olori Oloko's significant contributions to the tourism landscape. "Olori has been a outstanding ambassador for tourism in South West Nigeria," he stated. "It is only fitting that we make such a passionate and respected individual our face to engage all other stakeholders. Her role will be crucial for those seeking to partner with us to boost the image and economic potential of our industry."


In her new capacity, Olori Oloko will be responsible for spearheading stakeholder engagement, developing strategic corporate partnerships, and enhancing the overall visibility and investment appeal of the South West's tourism sector. The region is home to some of Nigeria's most iconic cultural heritage sites, bustling eco-tourism destinations, and a vibrant creative industry.


Warmly accepting the prestigious office, Olori Rebecca Temitope Oloko expressed her gratitude to Hon. Apata and the ATPN for the confidence reposed in her. She emphasized the urgent need to harness the region's vast potential.


"I am deeply honored by this appointment," Olori Oloko said. "It is high time we took tourism seriously in this region of Nigeria. We are the guardians of major tourism havens, which are powerful tools we can use to transform the South West's economy, create jobs, and showcase our rich culture to the world. I am committed to working tirelessly to foster the collaborations necessary to achieve this vision."


This appointment is widely seen as a positive step towards creating a more unified and professionally driven tourism industry in South West Nigeria, with royal diplomacy playing a central role in its corporate engagement strategy.


 By: Manoah Kikekon 


ATPN and Olori Rebecca Temitope Oloko


LAGOS, Nigeria – In a strategic move to bolster tourism development in South West Nigeria, the Association of Tourism Practitioners of Nigeria (ATPN) has announced the appointment of Her Royal Majesty, Olori Rebecca Temitope Oloko, the Queen of Iwaya Kingdom, as its new Director of Corporate Relations and Engagement for the South West Region.


The appointment was officially approved by the office of the ATPN Vice President for the South West, Hon. Apata Samson Nunayon. This key decision is aimed at leveraging Olori Oloko's extensive influence and proven track record to forge stronger alliances between the government and the private sector.


Announcing the appointment, Hon. Apata Samson Nunayon highlighted Olori Oloko's significant contributions to the tourism landscape. "Olori has been a outstanding ambassador for tourism in South West Nigeria," he stated. "It is only fitting that we make such a passionate and respected individual our face to engage all other stakeholders. Her role will be crucial for those seeking to partner with us to boost the image and economic potential of our industry."


In her new capacity, Olori Oloko will be responsible for spearheading stakeholder engagement, developing strategic corporate partnerships, and enhancing the overall visibility and investment appeal of the South West's tourism sector. The region is home to some of Nigeria's most iconic cultural heritage sites, bustling eco-tourism destinations, and a vibrant creative industry.


Warmly accepting the prestigious office, Olori Rebecca Temitope Oloko expressed her gratitude to Hon. Apata and the ATPN for the confidence reposed in her. She emphasized the urgent need to harness the region's vast potential.


"I am deeply honored by this appointment," Olori Oloko said. "It is high time we took tourism seriously in this region of Nigeria. We are the guardians of major tourism havens, which are powerful tools we can use to transform the South West's economy, create jobs, and showcase our rich culture to the world. I am committed to working tirelessly to foster the collaborations necessary to achieve this vision."


This appointment is widely seen as a positive step towards creating a more unified and professionally driven tourism industry in South West Nigeria, with royal diplomacy playing a central role in its corporate engagement strategy.


Badagry Set to Host Legendary Tunde Kelani at Pre-Festival Screening of ‘Dazzling Mirage

Badagry Set to Host Legendary Tunde Kelani at Pre-Festival Screening of ‘Dazzling Mirage

 By: Manoah Kikekon 


Tunde Kelani and BIFIF 


The historic coastal town of Badagry is gearing up for a cinematic spectacle as it hosts a pre-festival screening of the critically acclaimed drama "Dazzling Mirage" in honor of legendary filmmaker Tunde Kelani. 


The event, organized by the Badagry International Film and Sport Festival (BIFFS), will take place on Saturday, 9th August 2025, at the iconic Badagry Slave Market, promising an unforgettable blend of film, culture, and intellectual discourse.  


Directed by Kunle Afolayan, Dazzling Mirage features an all-star cast including Kemi "Lala" Akindoju, Bimbo Manuel, Yomi Fash-Lanso, Taiwo Ajai-Lycett, and Seun Akindele. The film tells the inspiring story of a young woman battling sickle cell anaemia, weaving themes of love, perseverance, and societal stigma into a powerful narrative. The pre-festival screening aims to spotlight Nollywood’s storytelling excellence while celebrating Kelani’s immense contributions to African cinema.  


In an exclusive chat with Viyon Awhanse, founder of the Badagry International Film and Sport Festival, he revealed that the event is part of a broader vision to boost Badagry’s tourism and film industry. 


"Our goal is to position Badagry as a prime filming destination. We are committed to ensuring a movie is shot here every three months, and so far, we’ve been successful," Awhanse stated. The festival seeks to attract filmmakers, investors, and tourists, leveraging Badagry’s rich history and scenic landscapes. 


The event kicks off at 10 AM and is expected to draw film lovers, industry stakeholders, and cultural enthusiasts from across Nigeria. Organizers describe it as a “day of cinema, Games, conversation, and culture”, setting the stage for the full Badagry International Film Festival later in the year.

 By: Manoah Kikekon 


Tunde Kelani and BIFIF 


The historic coastal town of Badagry is gearing up for a cinematic spectacle as it hosts a pre-festival screening of the critically acclaimed drama "Dazzling Mirage" in honor of legendary filmmaker Tunde Kelani. 


The event, organized by the Badagry International Film and Sport Festival (BIFFS), will take place on Saturday, 9th August 2025, at the iconic Badagry Slave Market, promising an unforgettable blend of film, culture, and intellectual discourse.  


Directed by Kunle Afolayan, Dazzling Mirage features an all-star cast including Kemi "Lala" Akindoju, Bimbo Manuel, Yomi Fash-Lanso, Taiwo Ajai-Lycett, and Seun Akindele. The film tells the inspiring story of a young woman battling sickle cell anaemia, weaving themes of love, perseverance, and societal stigma into a powerful narrative. The pre-festival screening aims to spotlight Nollywood’s storytelling excellence while celebrating Kelani’s immense contributions to African cinema.  


In an exclusive chat with Viyon Awhanse, founder of the Badagry International Film and Sport Festival, he revealed that the event is part of a broader vision to boost Badagry’s tourism and film industry. 


"Our goal is to position Badagry as a prime filming destination. We are committed to ensuring a movie is shot here every three months, and so far, we’ve been successful," Awhanse stated. The festival seeks to attract filmmakers, investors, and tourists, leveraging Badagry’s rich history and scenic landscapes. 


The event kicks off at 10 AM and is expected to draw film lovers, industry stakeholders, and cultural enthusiasts from across Nigeria. Organizers describe it as a “day of cinema, Games, conversation, and culture”, setting the stage for the full Badagry International Film Festival later in the year.

"I BAD" – Destiny Omon Renames Controversial Movie After Backlash from Badagry Community

"I BAD" – Destiny Omon Renames Controversial Movie After Backlash from Badagry Community

By: Manoah Kikekon 




Nigerian filmmaker Destiny Austine Omon has officially renamed his upcoming movie from Badagry: I Bad I Gree to I BAD following severe backlash from the Badagry community. The initial title sparked outrage among residents, who accused it of misrepresenting their culture and identity.  


The controversy erupted after the movie’s title was perceived as an affront to the people of Badagry, a historic town in Lagos State known for its rich heritage. Many took to social media to demand a ban on the film, arguing that the title unfairly tarnished their community’s image. In response, Omon issued a public apology and announced the title change in a press statement released today.  


In the statement, Omon clarified that the film was never meant to depict or reference the Badagry people. "We acknowledge the emotional and cultural significance of the name Badagry and sincerely apologize for any distress caused," he said. The National Film and Video Censors Board (NFVCB) also intervened, prompting the decision to rebrand the project as I BAD to avoid further misunderstanding.


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims


Earlier today, Omon took to his social media to defend his creative choices, stating, "The title of a movie is a creative representation and does not have anything to do with the people in question." He compared his film to other movies named after cities, such as New York, arguing that titles are often symbolic. However, after mounting pressure, he opted for the name change to maintain peace and respect cultural sensitivities.  


Despite the controversy, the VIP premiere of I BAD is set to hold today, July 4, 2025, at the Victor Waifo Creative Hub in Benin City. The event will feature industry stakeholders, cast members, and media personalities. Omon reassured the public that the film’s storyline is entirely fictional and unrelated to any specific ethnic group or location.  


This incident highlights the growing importance of cultural sensitivity in Nigeria’s film industry. As Nollywood continues to expand its global reach, filmmakers are increasingly being held accountable for how they portray communities. Omon’s decision to rename the film sets a precedent for balancing creative expression with social responsibility.

By: Manoah Kikekon 




Nigerian filmmaker Destiny Austine Omon has officially renamed his upcoming movie from Badagry: I Bad I Gree to I BAD following severe backlash from the Badagry community. The initial title sparked outrage among residents, who accused it of misrepresenting their culture and identity.  


The controversy erupted after the movie’s title was perceived as an affront to the people of Badagry, a historic town in Lagos State known for its rich heritage. Many took to social media to demand a ban on the film, arguing that the title unfairly tarnished their community’s image. In response, Omon issued a public apology and announced the title change in a press statement released today.  


In the statement, Omon clarified that the film was never meant to depict or reference the Badagry people. "We acknowledge the emotional and cultural significance of the name Badagry and sincerely apologize for any distress caused," he said. The National Film and Video Censors Board (NFVCB) also intervened, prompting the decision to rebrand the project as I BAD to avoid further misunderstanding.


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims


Earlier today, Omon took to his social media to defend his creative choices, stating, "The title of a movie is a creative representation and does not have anything to do with the people in question." He compared his film to other movies named after cities, such as New York, arguing that titles are often symbolic. However, after mounting pressure, he opted for the name change to maintain peace and respect cultural sensitivities.  


Despite the controversy, the VIP premiere of I BAD is set to hold today, July 4, 2025, at the Victor Waifo Creative Hub in Benin City. The event will feature industry stakeholders, cast members, and media personalities. Omon reassured the public that the film’s storyline is entirely fictional and unrelated to any specific ethnic group or location.  


This incident highlights the growing importance of cultural sensitivity in Nigeria’s film industry. As Nollywood continues to expand its global reach, filmmakers are increasingly being held accountable for how they portray communities. Omon’s decision to rename the film sets a precedent for balancing creative expression with social responsibility.

I Bad I Gree" Director Apologizes to Badagry, Invites Community Representatives to Movie Premiere in Benin

I Bad I Gree" Director Apologizes to Badagry, Invites Community Representatives to Movie Premiere in Benin

By: Manoah Kikekon 


Destiny Omon 


Destiny Austine Omon, the director of the upcoming movie Badagry: I Bad I Gree, has issued a public apology to the people of Badagry, clarifying that the film does not negatively portray their community or culture. 


In a press statement released today, Omon extended an official invitation to Badagry representatives to attend the movie’s premiere in Benin City.  

 

Press Release 

The controversy began when concerns were raised over the film’s initial title, Badagry, with critics suggesting it could harm the town’s reputation. Omon, however, emphasized that the movie is entirely fictional and has no connection to the real Badagry or its people. "Our creative direction was never intended to reference or portray the heritage of Badagry," he stated.  


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Following intervention by the National Film and Video Censors Board (NFVCB), the film was retitled I BAD to avoid further misunderstandings. Omon expressed gratitude for the regulatory body’s guidance, stating that the change reflects a commitment to cultural sensitivity.  

  

The VIP premiere of I BAD is scheduled for July 4, 2025, at the Victor Waifo Creative Hub, Airport Road, Benin City. Industry stakeholders, cast members, and media personalities are expected to attend. Omon has personally invited representatives from Badagry to witness the film firsthand and judge its content objectively.  


Earlier today, Omon took to his social media to address critics, stating, "It is unfair to criticize a movie you haven’t watched. The title is a creative representation and has no connection to the people of Badagry." He further compared the situation to films like New York, which bear city names without depicting actual events.  


Omon reassured the public that I Bad I Gree contains no insulting or derogatory content about Nigeria or any state. "I would never insult my country or any community," he affirmed. The film explores themes of personal identity and societal struggles in a fictional setting, with no ties to real locations.  


The director concluded by thanking the public for their feedback and urging them to support Nigerian cinema. "We learn and grow from constructive criticism," he said. "We hope the people of Badagry will join us in celebrating this project."  


With tensions easing and the premiere set to proceed, all eyes are now on I Bad I Gree as it debuts in Benin City. 

By: Manoah Kikekon 


Destiny Omon 


Destiny Austine Omon, the director of the upcoming movie Badagry: I Bad I Gree, has issued a public apology to the people of Badagry, clarifying that the film does not negatively portray their community or culture. 


In a press statement released today, Omon extended an official invitation to Badagry representatives to attend the movie’s premiere in Benin City.  

 

Press Release 

The controversy began when concerns were raised over the film’s initial title, Badagry, with critics suggesting it could harm the town’s reputation. Omon, however, emphasized that the movie is entirely fictional and has no connection to the real Badagry or its people. "Our creative direction was never intended to reference or portray the heritage of Badagry," he stated.  


Related News:

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Following intervention by the National Film and Video Censors Board (NFVCB), the film was retitled I BAD to avoid further misunderstandings. Omon expressed gratitude for the regulatory body’s guidance, stating that the change reflects a commitment to cultural sensitivity.  

  

The VIP premiere of I BAD is scheduled for July 4, 2025, at the Victor Waifo Creative Hub, Airport Road, Benin City. Industry stakeholders, cast members, and media personalities are expected to attend. Omon has personally invited representatives from Badagry to witness the film firsthand and judge its content objectively.  


Earlier today, Omon took to his social media to address critics, stating, "It is unfair to criticize a movie you haven’t watched. The title is a creative representation and has no connection to the people of Badagry." He further compared the situation to films like New York, which bear city names without depicting actual events.  


Omon reassured the public that I Bad I Gree contains no insulting or derogatory content about Nigeria or any state. "I would never insult my country or any community," he affirmed. The film explores themes of personal identity and societal struggles in a fictional setting, with no ties to real locations.  


The director concluded by thanking the public for their feedback and urging them to support Nigerian cinema. "We learn and grow from constructive criticism," he said. "We hope the people of Badagry will join us in celebrating this project."  


With tensions easing and the premiere set to proceed, all eyes are now on I Bad I Gree as it debuts in Benin City. 

Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims

Film Title Badagry: I Bad I Gree Sparks Outrage, NFVCB Consider Halt Over Cultural Misrepresentation Claims

By: Manoah Kikekon 




Veteran filmmaker and former Badagry Local Government Chairman, Tunde Alabi-Hundeyin (aka Dudu), has raised strong objections against the controversial movie title "Badagry: I Bad I Gree," accusing it of tarnishing the historic town’s peaceful reputation.  


In a viral online statement, Hundeyin revealed that the National Film and Video Censors Board (NFVCB) has withheld the film’s classification following petitions from Badagry residents. 


The board’s Director-General, Dr. Shaibu Husseini, allegedly confirmed that approval was suspended unless the title is changed though no official statement has been released.  


Rated News 

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Produced by Ghana-based Nigerian filmmaker Destiny Omon, the movie reportedly delves into crime themes like kidnapping and drug abuse. 


While the producer claims the title reflects its Badagry filming location, critics argue it unfairly stereotypes a town celebrated for its rich heritage and tourism.  


This controversy echoes past disputes, including the backlash against "Gangs of Lagos" for its portrayal of the Eyo masquerade, highlighting growing demands for accurate cultural representation in Nollywood.  


Will the film’s Benin City premiere proceed? Stakeholders await further updates.  


By: Manoah Kikekon 




Veteran filmmaker and former Badagry Local Government Chairman, Tunde Alabi-Hundeyin (aka Dudu), has raised strong objections against the controversial movie title "Badagry: I Bad I Gree," accusing it of tarnishing the historic town’s peaceful reputation.  


In a viral online statement, Hundeyin revealed that the National Film and Video Censors Board (NFVCB) has withheld the film’s classification following petitions from Badagry residents. 


The board’s Director-General, Dr. Shaibu Husseini, allegedly confirmed that approval was suspended unless the title is changed though no official statement has been released.  


Rated News 

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree


Produced by Ghana-based Nigerian filmmaker Destiny Omon, the movie reportedly delves into crime themes like kidnapping and drug abuse. 


While the producer claims the title reflects its Badagry filming location, critics argue it unfairly stereotypes a town celebrated for its rich heritage and tourism.  


This controversy echoes past disputes, including the backlash against "Gangs of Lagos" for its portrayal of the Eyo masquerade, highlighting growing demands for accurate cultural representation in Nollywood.  


Will the film’s Benin City premiere proceed? Stakeholders await further updates.  


Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree

Exclusive: "You Don’t Critique a Movie You Haven’t Seen" – Producer Destiny Omon Defends Badagry I Bad I Gree

 By: Manoah Kikekon 



Destiny Austine Omon, the producer of the upcoming Nollywood movie Badagry, has hit back at critics from the Badagry community, stating that it is unethical to judge a film without watching it first. 


His statement comes after backlash from Badagry residents who claim the movie portrays their town in a negative light, tarnishing its rich cultural heritage.


In an exclusive interview with News Peddlers on Thursday, July, 3rd 2025, Omon expressed frustration over the premature criticism. "I'm happy we have many big movie producers from Badagry, and one of the ethics of filmmaking is that you don’t critique a movie you haven’t watched," he said. 


"No one has seen the film, yet they are already threatening me on social media. I’m taking note of everything, and I may not take this lightly."


The producer clarified that the movie was not shot in Badagry and does not explicitly identify the setting as the town. "We did not say this is Badagry. It’s a creative representation. The fact that I got inspiration while visiting Badagry is not a crime," he argued. 


He also hinted that the controversy has inadvertently boosted the film’s publicity, even catching the attention of President Bola Tinubu. 


Omon revealed that the movie received support from the Edo State Government, further legitimizing the project. "As a Nigerian, I won’t open my eyes and insult my country. 


This is a work of art," he stated. However, he declined to disclose details about the plot, protagonist, or antagonist, leaving audiences curious ahead of its July 4, 2025, release.   


Several Badagry groups have intensified calls for the movie’s cancellation. The Ogu General Assembly (OGA), led by Prof. Jendele Hungbo, issued a strongly worded statement condemning the film "Badagry: I Bad, I Gree" and demanding its indefinite stoppage.  


The OGA argues that the film’s title and alleged content misrepresent the Ogu people, glorifying gangsterism and cultism. "We demand the immediate cancellation of the film’s release and the removal of all promotional materials," the statement read. The group threatened legal action if their demands are ignored. 


Adding to the pressure, the Worldwide Ogu Concept (WOC), an indigenous group, also condemned the film, describing its portrayal of Badagry as "derogatory and insulting." In a petition signed by Mr. Zannu Joseph, the WOC called on the Nigeria Film and Video Censors Board (NFVCB) and Lagos State Film and Video Censors Board to halt the movie’s release.  


The WOC emphasized that Badagry is known for its tourism, hospitality, and economic significance, not crime. "The movie’s title and content are unacceptable. We demand an apology from the producer," the petition stated.  


Hon. Sesi Oluwaseun Whingan, the House of Representatives member representing Badagry Federal Constituency, also condemned the film. In a press statement, he described the portrayal of Badagry as "a deliberate affront" to the town’s heritage.


Whingan called on regulatory bodies to investigate and withdraw the movie, warning that Badagry’s peaceful reputation must not be tarnished. "We will engage the producers through legal channels. Badagry is a historic town, not a den of criminals," he added.


Morka Ray, the Co-founder Kiss the chiled Entertainment describes the recent film industry development as both interesting and worrying. It's interesting because it highlights a crucial need for more creativity and sensitivity in film titles and narratives, urging the industry to be more conscious of its art and societal impact. However, "it's worrying because it risks stifling creative voices through public outrage, setting a dangerous precedent for censorship and self-censorship, which could undermine art's role in critiquing society."


While acknowledging valid concerns about misrepresentation, Ray argues that calls for outright bans are excessive. He advocates for a balance between cultural sensitivity and freedom of expression, encouraging filmmakers to be more thoughtful in their storytelling. Ultimately, he believes such protests can encourage better creative discipline, but warns against suppressing artistic work, which could harm the industry.


Meanwhile when some of the Producer's and Directors from Badagry were contacted, in the persons of Segun Arinze, Viyon Awhanse, Mawuyon Ogun, they also hold the opinion that the producer or filmmakers should have done their research before doing such. We couldn't reach Sewedo Nupowaku, Medeyonmi Akran, Mautin Tairu et al for their insight on the matter

 By: Manoah Kikekon 



Destiny Austine Omon, the producer of the upcoming Nollywood movie Badagry, has hit back at critics from the Badagry community, stating that it is unethical to judge a film without watching it first. 


His statement comes after backlash from Badagry residents who claim the movie portrays their town in a negative light, tarnishing its rich cultural heritage.


In an exclusive interview with News Peddlers on Thursday, July, 3rd 2025, Omon expressed frustration over the premature criticism. "I'm happy we have many big movie producers from Badagry, and one of the ethics of filmmaking is that you don’t critique a movie you haven’t watched," he said. 


"No one has seen the film, yet they are already threatening me on social media. I’m taking note of everything, and I may not take this lightly."


The producer clarified that the movie was not shot in Badagry and does not explicitly identify the setting as the town. "We did not say this is Badagry. It’s a creative representation. The fact that I got inspiration while visiting Badagry is not a crime," he argued. 


He also hinted that the controversy has inadvertently boosted the film’s publicity, even catching the attention of President Bola Tinubu. 


Omon revealed that the movie received support from the Edo State Government, further legitimizing the project. "As a Nigerian, I won’t open my eyes and insult my country. 


This is a work of art," he stated. However, he declined to disclose details about the plot, protagonist, or antagonist, leaving audiences curious ahead of its July 4, 2025, release.   


Several Badagry groups have intensified calls for the movie’s cancellation. The Ogu General Assembly (OGA), led by Prof. Jendele Hungbo, issued a strongly worded statement condemning the film "Badagry: I Bad, I Gree" and demanding its indefinite stoppage.  


The OGA argues that the film’s title and alleged content misrepresent the Ogu people, glorifying gangsterism and cultism. "We demand the immediate cancellation of the film’s release and the removal of all promotional materials," the statement read. The group threatened legal action if their demands are ignored. 


Adding to the pressure, the Worldwide Ogu Concept (WOC), an indigenous group, also condemned the film, describing its portrayal of Badagry as "derogatory and insulting." In a petition signed by Mr. Zannu Joseph, the WOC called on the Nigeria Film and Video Censors Board (NFVCB) and Lagos State Film and Video Censors Board to halt the movie’s release.  


The WOC emphasized that Badagry is known for its tourism, hospitality, and economic significance, not crime. "The movie’s title and content are unacceptable. We demand an apology from the producer," the petition stated.  


Hon. Sesi Oluwaseun Whingan, the House of Representatives member representing Badagry Federal Constituency, also condemned the film. In a press statement, he described the portrayal of Badagry as "a deliberate affront" to the town’s heritage.


Whingan called on regulatory bodies to investigate and withdraw the movie, warning that Badagry’s peaceful reputation must not be tarnished. "We will engage the producers through legal channels. Badagry is a historic town, not a den of criminals," he added.


Morka Ray, the Co-founder Kiss the chiled Entertainment describes the recent film industry development as both interesting and worrying. It's interesting because it highlights a crucial need for more creativity and sensitivity in film titles and narratives, urging the industry to be more conscious of its art and societal impact. However, "it's worrying because it risks stifling creative voices through public outrage, setting a dangerous precedent for censorship and self-censorship, which could undermine art's role in critiquing society."


While acknowledging valid concerns about misrepresentation, Ray argues that calls for outright bans are excessive. He advocates for a balance between cultural sensitivity and freedom of expression, encouraging filmmakers to be more thoughtful in their storytelling. Ultimately, he believes such protests can encourage better creative discipline, but warns against suppressing artistic work, which could harm the industry.


Meanwhile when some of the Producer's and Directors from Badagry were contacted, in the persons of Segun Arinze, Viyon Awhanse, Mawuyon Ogun, they also hold the opinion that the producer or filmmakers should have done their research before doing such. We couldn't reach Sewedo Nupowaku, Medeyonmi Akran, Mautin Tairu et al for their insight on the matter

Exclusive: Badagry Born, Nigerian Artist Francis Agemo Wows Benin Republic with One-Month Art Exhibition

Exclusive: Badagry Born, Nigerian Artist Francis Agemo Wows Benin Republic with One-Month Art Exhibition

 By: Manoah Kikekon 

Francis Sewanu Agemo Celebrates Family, Identity, and Resilience in Groundbreaking Maison Rouge Exhibition


Michael Agemo on the right and Frances Agemo on the Left 


Francis Sewanu Agemo, a multidisciplinary Nigerian artist from Badagry, has successfully concluded his one-month art exhibition at Maison Rouge in Cotonou, Benin Republic. The exhibition, which ran until June 8, featured a dual showcase with his brother, Michael Agemo, marking another milestone in Frances’ flourishing career. Known for his versatility across different artistic mediums, Agemo captivated audiences with deeply personal pieces that celebrated the people closest to him.  


In an exclusive interview, Agemo revealed that this exhibition was a departure from his usual socio-political themes. "Most of the pieces here are my close family and friends people who are important to me," he shared. "I see everyone around me as an icon. This show is like a statement I wish to keep in my corner, reflecting the everyday lives of those I cherish." His works, often a commentary on societal issues, took a more intimate turn, offering viewers a glimpse into his personal world.  


 

Agemo’s artistic journey began under the mentorship of Ghanaian artist Friko before further training at Hotel the James and later in higher institutions. Graduating in 2008, he initially worked a corporate job but soon realized his passion was fading. "I resigned because I wasn’t happy my career was going into the water," he admitted. By 2012, he fully embraced art professionally, and by 2018, he was exhibiting internationally. His persistence paid off, with his works now gaining recognition across borders.  


Though this exhibition leaned toward personal narratives, Agemo remains deeply connected to socio-political themes. "I’ve always been drawn to the nuances in my environment how people are manipulated and how their voices are silenced," he explained. Many Nigerian artists, including Agemo, continue to use their craft to challenge oppression, hoping for governmental change. "There’s joy in speaking for the people, even when it’s tough," he added.  


Agemo had strong words for emerging artists: "Success doesn’t come overnight. You must perceive things differently, learn from others, and keep pushing." He emphasized resilience, hard work, and faith. "If you’re only chasing quick money, this path isn’t for you. Endure, persevere, and pray whether for yourself or through others." His journey stands as a testament to the power of dedication.  


With successful solo and joint exhibitions under his belt, Agemo shows no signs of slowing down. His ability to blend personal storytelling with broader societal themes makes his work uniquely compelling. As he continues to showcase his art globally, audiences eagerly await his next bold statement.  


For updates on Frances Agemo’s upcoming projects, follow his official social media pages via INSTAGRAM 

 By: Manoah Kikekon 

Francis Sewanu Agemo Celebrates Family, Identity, and Resilience in Groundbreaking Maison Rouge Exhibition


Michael Agemo on the right and Frances Agemo on the Left 


Francis Sewanu Agemo, a multidisciplinary Nigerian artist from Badagry, has successfully concluded his one-month art exhibition at Maison Rouge in Cotonou, Benin Republic. The exhibition, which ran until June 8, featured a dual showcase with his brother, Michael Agemo, marking another milestone in Frances’ flourishing career. Known for his versatility across different artistic mediums, Agemo captivated audiences with deeply personal pieces that celebrated the people closest to him.  


In an exclusive interview, Agemo revealed that this exhibition was a departure from his usual socio-political themes. "Most of the pieces here are my close family and friends people who are important to me," he shared. "I see everyone around me as an icon. This show is like a statement I wish to keep in my corner, reflecting the everyday lives of those I cherish." His works, often a commentary on societal issues, took a more intimate turn, offering viewers a glimpse into his personal world.  


 

Agemo’s artistic journey began under the mentorship of Ghanaian artist Friko before further training at Hotel the James and later in higher institutions. Graduating in 2008, he initially worked a corporate job but soon realized his passion was fading. "I resigned because I wasn’t happy my career was going into the water," he admitted. By 2012, he fully embraced art professionally, and by 2018, he was exhibiting internationally. His persistence paid off, with his works now gaining recognition across borders.  


Though this exhibition leaned toward personal narratives, Agemo remains deeply connected to socio-political themes. "I’ve always been drawn to the nuances in my environment how people are manipulated and how their voices are silenced," he explained. Many Nigerian artists, including Agemo, continue to use their craft to challenge oppression, hoping for governmental change. "There’s joy in speaking for the people, even when it’s tough," he added.  


Agemo had strong words for emerging artists: "Success doesn’t come overnight. You must perceive things differently, learn from others, and keep pushing." He emphasized resilience, hard work, and faith. "If you’re only chasing quick money, this path isn’t for you. Endure, persevere, and pray whether for yourself or through others." His journey stands as a testament to the power of dedication.  


With successful solo and joint exhibitions under his belt, Agemo shows no signs of slowing down. His ability to blend personal storytelling with broader societal themes makes his work uniquely compelling. As he continues to showcase his art globally, audiences eagerly await his next bold statement.  


For updates on Frances Agemo’s upcoming projects, follow his official social media pages via INSTAGRAM 

A New Ojo is Emerging - Labour Party Chairmanship Candidate Vows

A New Ojo is Emerging - Labour Party Chairmanship Candidate Vows

By: Manoah Kikekon 


Olumayowa Akogun-Abudu 


Hon. Olumayowa Akogun-Abudu, the Labour Party chairmanship candidate for Ojo Local Government in Lagos State, has promised to bring unprecedented change to Ojo if elected. 


Speaking at a meeting held at Alaba International Market, Akogun-Abudu declared that his administration would go beyond basic infrastructure to impact lives directly.  


"It becomes an aberration if I come here to tell you I'm going to do good roads or provide water," he said. "I’m going beyond that to be in the people's lives. These are basic necessities I should deliver without expecting thanks." The candidate emphasized that his focus would be on inclusive governance, ensuring that all residents, regardless of origin, feel represented and valued.  


Related News: 

APC Known for Violence, But Ojo Will Be Safe in 2025 Chairmanship Election – LP Candidate Vows


EXCLUSIVE: LP's Olumayowa Abudu-Akogun Vows Inclusive Governance for Ojo LGA


Hon. Abudu-Akogun Olumayowa Emerges as Labour Party Chairmanship Candidate for Ojo LGA


Akogun-Abudu, a retired Army officer with 13 years of service, described himself as a detribalized Nigerian. "It would be a waste of my experience if I refer to anyone as a non-indigene," he stated. "If you’ve traveled the world, you’d know that capitals and commercial hubs thrive on unity, not tribal divisions. Ojo must work for all."  


Calling on voters to support a credible leader, he admitted, "I am not perfect, but every word I’ve spoken here will be my bond, with God as my witness." He urged the people to reject divisive politics and embrace a vision of progress. "Vote for a man you can believe in. A new Ojo is emerging one where everyone has a voice and a future."  


The event, attended by traders, community leaders, and party supporters, ended with a renewed sense of optimism as Akogun-Abudu’s message resonated with the crowd. With the election approaching, his campaign is gaining momentum as residents anticipate the possibility of a transformed Ojo under his leadership.

By: Manoah Kikekon 


Olumayowa Akogun-Abudu 


Hon. Olumayowa Akogun-Abudu, the Labour Party chairmanship candidate for Ojo Local Government in Lagos State, has promised to bring unprecedented change to Ojo if elected. 


Speaking at a meeting held at Alaba International Market, Akogun-Abudu declared that his administration would go beyond basic infrastructure to impact lives directly.  


"It becomes an aberration if I come here to tell you I'm going to do good roads or provide water," he said. "I’m going beyond that to be in the people's lives. These are basic necessities I should deliver without expecting thanks." The candidate emphasized that his focus would be on inclusive governance, ensuring that all residents, regardless of origin, feel represented and valued.  


Related News: 

APC Known for Violence, But Ojo Will Be Safe in 2025 Chairmanship Election – LP Candidate Vows


EXCLUSIVE: LP's Olumayowa Abudu-Akogun Vows Inclusive Governance for Ojo LGA


Hon. Abudu-Akogun Olumayowa Emerges as Labour Party Chairmanship Candidate for Ojo LGA


Akogun-Abudu, a retired Army officer with 13 years of service, described himself as a detribalized Nigerian. "It would be a waste of my experience if I refer to anyone as a non-indigene," he stated. "If you’ve traveled the world, you’d know that capitals and commercial hubs thrive on unity, not tribal divisions. Ojo must work for all."  


Calling on voters to support a credible leader, he admitted, "I am not perfect, but every word I’ve spoken here will be my bond, with God as my witness." He urged the people to reject divisive politics and embrace a vision of progress. "Vote for a man you can believe in. A new Ojo is emerging one where everyone has a voice and a future."  


The event, attended by traders, community leaders, and party supporters, ended with a renewed sense of optimism as Akogun-Abudu’s message resonated with the crowd. With the election approaching, his campaign is gaining momentum as residents anticipate the possibility of a transformed Ojo under his leadership.

Hon. Mobolaji Ogunlende Celebrates children day at This Ability 4.0’

Hon. Mobolaji Ogunlende Celebrates children day at This Ability 4.0’

 By: Manoah Kikekon 






In a celebration of the 2025 Children’s Day, Hon. Mobolaji Ogunlende, Lagos State Commissioner for Youth and Social Development, graced "This Ability 4.0 - Empowering Voices," an inspiring initiative by Raising Star Africa. 


Held at Darlington Hall, Ilupeju, the event spotlighted talent, resilience, and entrepreneurship among children and youths with disabilities, aligning with the state government’s commitment to inclusivity.  


The program featured a dynamic lineup, including a parents' seminar, talent competition, art exhibition, and business grants for entrepreneurs with disabilities. Hon. Ogunlende praised the initiative, emphasizing the administration’s dedication to fostering an equitable society where every child thrives.  


"Today, we celebrate ability over disability," he declared. "Lagos State remains steadfast in creating opportunities for all youths, ensuring no one is left behind in our march toward a resilient and inclusive future."


The event not only honored Children’s Day but also amplified the voices of young individuals with disabilities, offering them platforms to showcase their skills and secure sustainable livelihoods. Attendees lauded the government’s partnership with Raising Star Africa, calling for more collaborations to bridge societal gaps.  


With initiatives like This Ability 4.0, Lagos continues to lead in youth empowerment and social inclusion, setting a benchmark for transformative governance.  

 By: Manoah Kikekon 






In a celebration of the 2025 Children’s Day, Hon. Mobolaji Ogunlende, Lagos State Commissioner for Youth and Social Development, graced "This Ability 4.0 - Empowering Voices," an inspiring initiative by Raising Star Africa. 


Held at Darlington Hall, Ilupeju, the event spotlighted talent, resilience, and entrepreneurship among children and youths with disabilities, aligning with the state government’s commitment to inclusivity.  


The program featured a dynamic lineup, including a parents' seminar, talent competition, art exhibition, and business grants for entrepreneurs with disabilities. Hon. Ogunlende praised the initiative, emphasizing the administration’s dedication to fostering an equitable society where every child thrives.  


"Today, we celebrate ability over disability," he declared. "Lagos State remains steadfast in creating opportunities for all youths, ensuring no one is left behind in our march toward a resilient and inclusive future."


The event not only honored Children’s Day but also amplified the voices of young individuals with disabilities, offering them platforms to showcase their skills and secure sustainable livelihoods. Attendees lauded the government’s partnership with Raising Star Africa, calling for more collaborations to bridge societal gaps.  


With initiatives like This Ability 4.0, Lagos continues to lead in youth empowerment and social inclusion, setting a benchmark for transformative governance.  

Badagry’s Viyon Awhanse Shines as Key Crew in First Nigerian Film at Cannes Film Festival "My Father’s Shadows"

Badagry’s Viyon Awhanse Shines as Key Crew in First Nigerian Film at Cannes Film Festival "My Father’s Shadows"

By: Manoah kikekon 


Left- Viyon Awhanse Akinola Davies Jnr ( Director) in the middle Dove Icon



The historic coastal town of Badagry is buzzing with pride as one of its own, Viyon Awhanse, plays a pivotal role in the critically acclaimed film "My Father’s Shadows," which has earned a prestigious spot at the Cannes Film Festival


While initial reports highlighted Awhanse’s on-screen presence, further details reveal his crucial behind-the-scenes contributions as a crew member, underscoring the importance of every role in filmmaking.  


My Father’s Shadows is the first film from Nigeria to be selected to play in the Cannes Film Festival, where it premiered Sunday in Un Certain Regard. Directed by Akinola Davies Jr. and co-written with his brother Wale Davies, is a groundbreaking film that premiered at the 2025 Cannes Film Festival on May 18, 2025. 


The film is a gripping drama that has captivated audiences with its powerful storytelling and emotional depth. Awhanse’s expertise as a production manager and filmmaker was instrumental in bringing the director’s vision to life. His meticulous attention to detail and leadership ensured smooth production, proving that great films are made not just by stars in front of the camera but also by dedicated professionals behind it. 


Viyon Awhanse


This Cannes selection is a crowning achievement for Awhanse, who has spent years elevating Nigerian cinema through his work in production management, directing, and advocacy. His journey from Badagry a town steeped in history and culture to the global stage of Cannes is a testament to his perseverance and the rising influence of Nollywood in international cinema.  


The Cannes Film Festival is one of the most prestigious platforms for filmmakers worldwide, offering unparalleled exposure and distribution opportunities. The inclusion of "My Father’s Shadows" highlights the growing sophistication of Nigerian films and their increasing appeal to global audiences.  


Left- Viyon Awhanse Funmbi Ogunbanwo ( Producer) in the middle Dove Icon-  right


For Awhanse, this moment is more than personal success it’s a victory for Nigerian crew members who often work tirelessly without recognition. His presence at Cannes inspires aspiring filmmakers from Badagry and beyond, proving that technical roles are just as vital as acting in cinematic success.  


Beyond his work on "My Father’s Shadows," Awhanse is a renowned producer, director, and community advocate. Some of his notable projects include:  Director & Producer: "Sèblá" (2022). Associate Producer: "Peaceville" (2024). Production Manager: "The Origin: Madam Koi-Koi" (2023), "One Good Night" (2022), "Jemeji" (2017-2019), and "La Unidad" (2020)  


Awhanse is also the Founder and Festival Director of the Badagry International Film, Cultural, and Sports Festival (BIFIF), where he champions local talent and cultural storytelling. His initiatives, such as "Meet Your Mentors," empower young filmmakers in Badagry, reinforcing his commitment to developing Nigeria’s next generation of cinematic talent.  


As My Father’s Shadows prepares for its Cannes debut, all eyes are on Viyon Awhanse and the future of Nigerian filmmaking. His journey from Badagry to the global film stage sends a powerful message: dedication, skill, and passion can break barriers.  

My Father's Shadow Crew in Lagos and France 

For aspiring filmmakers and crew members, Awhanse’s story is a beacon of hope proof that behind every great film is a team of unsung heroes shaping its success.


My Father's Shadows is a semi-autobiographical drama is set over a single, pivotal day in Lagos in 1993, against the backdrop of the annulled democratic election and ensuing political unrest. The story follows Folarin (Sope Dirisu), an estranged father, as he takes his two young sons, Akin and Remi, on a journey through the chaotic city.


The film explores themes of father-son relationships, national identity, and the impact of political upheaval on personal lives. It has received critical acclaim for its emotional depth, technical brilliance, and strong performances, particularly from Sope Dirisu. "My Father's Shadow" was nominated for the Un Certain Regard Award and the Caméra d'Or at Cannes, and has been praised as a "masterwork by a first-time director."

By: Manoah kikekon 


Left- Viyon Awhanse Akinola Davies Jnr ( Director) in the middle Dove Icon



The historic coastal town of Badagry is buzzing with pride as one of its own, Viyon Awhanse, plays a pivotal role in the critically acclaimed film "My Father’s Shadows," which has earned a prestigious spot at the Cannes Film Festival


While initial reports highlighted Awhanse’s on-screen presence, further details reveal his crucial behind-the-scenes contributions as a crew member, underscoring the importance of every role in filmmaking.  


My Father’s Shadows is the first film from Nigeria to be selected to play in the Cannes Film Festival, where it premiered Sunday in Un Certain Regard. Directed by Akinola Davies Jr. and co-written with his brother Wale Davies, is a groundbreaking film that premiered at the 2025 Cannes Film Festival on May 18, 2025. 


The film is a gripping drama that has captivated audiences with its powerful storytelling and emotional depth. Awhanse’s expertise as a production manager and filmmaker was instrumental in bringing the director’s vision to life. His meticulous attention to detail and leadership ensured smooth production, proving that great films are made not just by stars in front of the camera but also by dedicated professionals behind it. 


Viyon Awhanse


This Cannes selection is a crowning achievement for Awhanse, who has spent years elevating Nigerian cinema through his work in production management, directing, and advocacy. His journey from Badagry a town steeped in history and culture to the global stage of Cannes is a testament to his perseverance and the rising influence of Nollywood in international cinema.  


The Cannes Film Festival is one of the most prestigious platforms for filmmakers worldwide, offering unparalleled exposure and distribution opportunities. The inclusion of "My Father’s Shadows" highlights the growing sophistication of Nigerian films and their increasing appeal to global audiences.  


Left- Viyon Awhanse Funmbi Ogunbanwo ( Producer) in the middle Dove Icon-  right


For Awhanse, this moment is more than personal success it’s a victory for Nigerian crew members who often work tirelessly without recognition. His presence at Cannes inspires aspiring filmmakers from Badagry and beyond, proving that technical roles are just as vital as acting in cinematic success.  


Beyond his work on "My Father’s Shadows," Awhanse is a renowned producer, director, and community advocate. Some of his notable projects include:  Director & Producer: "Sèblá" (2022). Associate Producer: "Peaceville" (2024). Production Manager: "The Origin: Madam Koi-Koi" (2023), "One Good Night" (2022), "Jemeji" (2017-2019), and "La Unidad" (2020)  


Awhanse is also the Founder and Festival Director of the Badagry International Film, Cultural, and Sports Festival (BIFIF), where he champions local talent and cultural storytelling. His initiatives, such as "Meet Your Mentors," empower young filmmakers in Badagry, reinforcing his commitment to developing Nigeria’s next generation of cinematic talent.  


As My Father’s Shadows prepares for its Cannes debut, all eyes are on Viyon Awhanse and the future of Nigerian filmmaking. His journey from Badagry to the global film stage sends a powerful message: dedication, skill, and passion can break barriers.  

My Father's Shadow Crew in Lagos and France 

For aspiring filmmakers and crew members, Awhanse’s story is a beacon of hope proof that behind every great film is a team of unsung heroes shaping its success.


My Father's Shadows is a semi-autobiographical drama is set over a single, pivotal day in Lagos in 1993, against the backdrop of the annulled democratic election and ensuing political unrest. The story follows Folarin (Sope Dirisu), an estranged father, as he takes his two young sons, Akin and Remi, on a journey through the chaotic city.


The film explores themes of father-son relationships, national identity, and the impact of political upheaval on personal lives. It has received critical acclaim for its emotional depth, technical brilliance, and strong performances, particularly from Sope Dirisu. "My Father's Shadow" was nominated for the Un Certain Regard Award and the Caméra d'Or at Cannes, and has been praised as a "masterwork by a first-time director."

ATPN South West: Lagos Chapter Inaugurates New Leadership to Boost Tourism Growth

ATPN South West: Lagos Chapter Inaugurates New Leadership to Boost Tourism Growth

 By: Manoah Kikekon 


Hon. Samson Apata 


The Association of Tourism Practitioners of Nigeria (ATPN) South West Region has taken a bold step toward redefining Nigeria’s tourism landscape with the inauguration of a new executive council for its Lagos Chapter. 


The historic event, held on May 1, 2025, at the prestigious Lagos Airport Hotel, Ikeja, marked a pivotal moment for tourism development in the region.  



The newly sworn-in executives, led by Chairperson Alhaja Olabisi Kamar-Azeez, were charged with driving innovation, collaboration, and sustainable growth in Nigeria’s tourism sector. The oath of office was administered by Mr. Andrew Osaigbovo Ehanire, a member of the ATPN Board of Trustees (BOT), in the presence of key industry stakeholders.  


Hon. Apata Samson Nunayon, Vice President of ATPN South West and former Lagos Chapter Chairman, commended the outgoing executives for their dedication from **2022 to 2025, noting that their efforts laid a solid foundation for the new leadership.  



“We must shift from maintaining the past to building the future,” Hon. Apata declared. “Strategic partnerships, aggressive membership drives, and dynamic networking will be crucial in unlocking Lagos’ tourism potential.”


The event featured an insightful keynote speech by Dr. Kola Lawal, Chairman of ATPN Oyo State and Head of Tourism Management Technology at The Polytechnic Ibadan. Titled "Collaborative Leadership: Unlocking the Full Potential of the Lagos Tourism Industry," his address emphasized teamwork and innovation as catalysts for industry growth.  


In his goodwill message, Aare Fagade described the inauguration as “a milestone in promoting sustainable, inclusive, and culturally rich tourism in Nigeria.” He stressed that tourism bridges cultures, boosts economies, and preserves heritage.  


The newly inaugurated Lagos Chapter executives include:  

1. Alhaja Olabisi Kamar-Azeez – Chairman  

2. Mr. Olaide Osoba – Vice Chairman  

3. Mr. Emmanuel Oyira – General Secretary  

4. Mr. Kolawole Paul – Assistant General Secretary  

5. Dr. (Mrs.) Adedayo Oluwatoyin – Treasurer  

6. Mr. Emmanuel Akande – Financial Secretary  

7. Mrs. Alo Adenike Christy – Welfare/Social Secretary  

8. Mr. Abdulkareem Balogun – Assistant Welfare/Social Secretary  

9. Comrade Ogunye Oluwaseun – Publicity Secretary  

10. Prince Adeyemi Aseperi-Shonibare – Director, Corporate Relations & Engagement  

11. Pastor Okunlola Gabriel – Director, Research & Education  

12. Amb. Rasak Oliyide – Director of Membership & Community Engagement  


Mr. Andrew Osaigbovo Ehanire, Chairman of the occasion, urged the new leadership to harness tourism’s power to “unite, inspire, and drive economic growth.” He praised Hon. Apata for his relentless efforts in expanding ATPN’s influence across the South West.  


As the event concluded, Hon. Apata reiterated the need for strong collaborations between public and private tourism stakeholders, setting the stage for a vibrant future for Lagos and Nigeria’s tourism industry.  

 By: Manoah Kikekon 


Hon. Samson Apata 


The Association of Tourism Practitioners of Nigeria (ATPN) South West Region has taken a bold step toward redefining Nigeria’s tourism landscape with the inauguration of a new executive council for its Lagos Chapter. 


The historic event, held on May 1, 2025, at the prestigious Lagos Airport Hotel, Ikeja, marked a pivotal moment for tourism development in the region.  



The newly sworn-in executives, led by Chairperson Alhaja Olabisi Kamar-Azeez, were charged with driving innovation, collaboration, and sustainable growth in Nigeria’s tourism sector. The oath of office was administered by Mr. Andrew Osaigbovo Ehanire, a member of the ATPN Board of Trustees (BOT), in the presence of key industry stakeholders.  


Hon. Apata Samson Nunayon, Vice President of ATPN South West and former Lagos Chapter Chairman, commended the outgoing executives for their dedication from **2022 to 2025, noting that their efforts laid a solid foundation for the new leadership.  



“We must shift from maintaining the past to building the future,” Hon. Apata declared. “Strategic partnerships, aggressive membership drives, and dynamic networking will be crucial in unlocking Lagos’ tourism potential.”


The event featured an insightful keynote speech by Dr. Kola Lawal, Chairman of ATPN Oyo State and Head of Tourism Management Technology at The Polytechnic Ibadan. Titled "Collaborative Leadership: Unlocking the Full Potential of the Lagos Tourism Industry," his address emphasized teamwork and innovation as catalysts for industry growth.  


In his goodwill message, Aare Fagade described the inauguration as “a milestone in promoting sustainable, inclusive, and culturally rich tourism in Nigeria.” He stressed that tourism bridges cultures, boosts economies, and preserves heritage.  


The newly inaugurated Lagos Chapter executives include:  

1. Alhaja Olabisi Kamar-Azeez – Chairman  

2. Mr. Olaide Osoba – Vice Chairman  

3. Mr. Emmanuel Oyira – General Secretary  

4. Mr. Kolawole Paul – Assistant General Secretary  

5. Dr. (Mrs.) Adedayo Oluwatoyin – Treasurer  

6. Mr. Emmanuel Akande – Financial Secretary  

7. Mrs. Alo Adenike Christy – Welfare/Social Secretary  

8. Mr. Abdulkareem Balogun – Assistant Welfare/Social Secretary  

9. Comrade Ogunye Oluwaseun – Publicity Secretary  

10. Prince Adeyemi Aseperi-Shonibare – Director, Corporate Relations & Engagement  

11. Pastor Okunlola Gabriel – Director, Research & Education  

12. Amb. Rasak Oliyide – Director of Membership & Community Engagement  


Mr. Andrew Osaigbovo Ehanire, Chairman of the occasion, urged the new leadership to harness tourism’s power to “unite, inspire, and drive economic growth.” He praised Hon. Apata for his relentless efforts in expanding ATPN’s influence across the South West.  


As the event concluded, Hon. Apata reiterated the need for strong collaborations between public and private tourism stakeholders, setting the stage for a vibrant future for Lagos and Nigeria’s tourism industry.  

Lagos Commissioner, Mobolaji Ogunlende, Backs MTN Best of the Streets 2025

Lagos Commissioner, Mobolaji Ogunlende, Backs MTN Best of the Streets 2025

By: Manoah kikekon 


Mobolaji Ogunlende and D'Banj


Lagos, Nigeria – The Honorable Commissioner for Youth and Social Development in Lagos State, Mobolaji Ogunlende, graced the unveiling ceremony of MTN Best of the Streets 2025 on Thursday, reinforcing the state government’s commitment to youth empowerment in the creative sector.  


The event, themed “Creative Economy: The Good, The Bad, The Ugly,” marked the 5th edition of the talent discovery initiative, powered by C.R.E.A.M (Creative, Reality, Entertainment, Arts & Music)—a groundbreaking platform spearheaded by Nigerian music icon D’Banj.  


In his address, Hon. Ogunlende emphasized the importance of public-private partnerships in nurturing young talents. He noted that the presence of top industry stakeholders, including P-Priime, Dandizzy, and DJ Xpat, demonstrated a shared vision for transforming Lagos into a hub for creative excellence.  


"No man is an island. Collaborations like this help us build momentum towards bigger platforms and greater impact," Ogunlende stated. "As a government, we remain intentional about inclusivity—ensuring no youth is left behind as we create life-changing opportunities."


The commissioner was accompanied by DJ Xpat, fresh from wrapping up the third edition of his Xpatainment Streets Got Talent series. Ogunlende highlighted the state’s hands-on approach, ensuring active government participation in initiatives that unearth and elevate grassroots talent.  


With Lagos being Nigeria’s entertainment capital, initiatives like MTN Best of the Streets provide a crucial platform for undiscovered talents. The government’s involvement signals a strong policy direction—leveraging the creative economy to reduce unemployment and drive innovation.  


By: Manoah kikekon 


Mobolaji Ogunlende and D'Banj


Lagos, Nigeria – The Honorable Commissioner for Youth and Social Development in Lagos State, Mobolaji Ogunlende, graced the unveiling ceremony of MTN Best of the Streets 2025 on Thursday, reinforcing the state government’s commitment to youth empowerment in the creative sector.  


The event, themed “Creative Economy: The Good, The Bad, The Ugly,” marked the 5th edition of the talent discovery initiative, powered by C.R.E.A.M (Creative, Reality, Entertainment, Arts & Music)—a groundbreaking platform spearheaded by Nigerian music icon D’Banj.  


In his address, Hon. Ogunlende emphasized the importance of public-private partnerships in nurturing young talents. He noted that the presence of top industry stakeholders, including P-Priime, Dandizzy, and DJ Xpat, demonstrated a shared vision for transforming Lagos into a hub for creative excellence.  


"No man is an island. Collaborations like this help us build momentum towards bigger platforms and greater impact," Ogunlende stated. "As a government, we remain intentional about inclusivity—ensuring no youth is left behind as we create life-changing opportunities."


The commissioner was accompanied by DJ Xpat, fresh from wrapping up the third edition of his Xpatainment Streets Got Talent series. Ogunlende highlighted the state’s hands-on approach, ensuring active government participation in initiatives that unearth and elevate grassroots talent.  


With Lagos being Nigeria’s entertainment capital, initiatives like MTN Best of the Streets provide a crucial platform for undiscovered talents. The government’s involvement signals a strong policy direction—leveraging the creative economy to reduce unemployment and drive innovation.  


BIFIF 2025: African Cinema to Shine at Badagry Film Festival – A Call for Movie Submission

BIFIF 2025: African Cinema to Shine at Badagry Film Festival – A Call for Movie Submission

By: Manoah kikekon 

Mr. Viyon Awhanse 

The Badagry International Film Festival (BIFIF) is back for its third edition, reaffirming its commitment to celebrating African cinema, fostering cross-cultural dialogue, and uniting people through powerful storytelling.

Mr. Viyon Awhanse, the festival organizer, announced the 2025 call for submissions in a statement released in Lagos, revealing this year’s theme: “Roots and Routes.” The event will once again take place in Badagry, a historic town with deep cultural significance as a former transatlantic slave trade route. 




Awhanse emphasized that this year’s festival will spotlight African-themed films that capture the continent’s complexities, struggles, and triumphs. However, the festival also welcomes international filmmakers who share a passion for cultural exchange and human-interest narratives.


“While rooted in African narratives, the festival’s scope extends globally, embracing human-interest stories that resonate across borders,” Awhanse said. “Our mission is to provide a platform for diverse voices and perspectives.”  

Why Badagry?
Badagry’s rich heritage and historical significance make it the perfect setting for films exploring resilience, migration, identity, and triumph. The festival aims to: Celebrate African cinema, Build a creative community, Encourage networking and collaboration.

Submit Your Film Now
Filmmakers can submit their entries via the official FilmFreeway portal: https://filmfreeway.com/bifif

Attendees will also have the chance to explore Badagry’s breathtaking landscapes, historical sites, and vibrant local culture, blending cinema with tourism and heritage. 
By: Manoah kikekon 

Mr. Viyon Awhanse 

The Badagry International Film Festival (BIFIF) is back for its third edition, reaffirming its commitment to celebrating African cinema, fostering cross-cultural dialogue, and uniting people through powerful storytelling.

Mr. Viyon Awhanse, the festival organizer, announced the 2025 call for submissions in a statement released in Lagos, revealing this year’s theme: “Roots and Routes.” The event will once again take place in Badagry, a historic town with deep cultural significance as a former transatlantic slave trade route. 




Awhanse emphasized that this year’s festival will spotlight African-themed films that capture the continent’s complexities, struggles, and triumphs. However, the festival also welcomes international filmmakers who share a passion for cultural exchange and human-interest narratives.


“While rooted in African narratives, the festival’s scope extends globally, embracing human-interest stories that resonate across borders,” Awhanse said. “Our mission is to provide a platform for diverse voices and perspectives.”  

Why Badagry?
Badagry’s rich heritage and historical significance make it the perfect setting for films exploring resilience, migration, identity, and triumph. The festival aims to: Celebrate African cinema, Build a creative community, Encourage networking and collaboration.

Submit Your Film Now
Filmmakers can submit their entries via the official FilmFreeway portal: https://filmfreeway.com/bifif

Attendees will also have the chance to explore Badagry’s breathtaking landscapes, historical sites, and vibrant local culture, blending cinema with tourism and heritage. 

Fuji Legend Osupa Steps In to Stop Portable’s Re-Arrest Over N6.3M Show Scandal

Fuji Legend Osupa Steps In to Stop Portable’s Re-Arrest Over N6.3M Show Scandal

By: Manoah Kikekon 




Portable and Osupa


Fuji music star Saheed Akorede, widely known as Osupa, stepped in on Tuesday to prevent the re-arrest of controversial singer Habeeb Okikiola, aka Portable, following a new petition filed against him.  


According to the News Agency of Nigeria (NAN), Osupa withdrew his initial case against Portable after influential figures, including former African Action Congress (AAC) presidential candidate Omoyele Sowore, pushed for an out-of-court resolution.  


Yemi George, Managing Director of Starwood Hotels Ilorin, told NAN that Osupa convinced him not to proceed with Portable’s re-arrest—despite the singer allegedly collecting N6.3 million for a performance he never delivered.  


"I had all the necessary documents to re-arrest him today to recover my money, but out of respect for the legendary Fuji musician (Osupa), he persuaded me to hold back,"* George revealed.  


"My company, Starwood Hotels O2 Arena, in partnership with TAMPAN (Theatre Arts and Motion Pictures Practitioners Association of Nigeria), organized an event for Portable, but he failed to perform."


A SaharaReporters story on Monday exposed that Portable allegedly no-showed at the *Kwara TAMPAN Fiesta 1.0*, held on September 29, 2024, at Starwood O2 Arena in Ilorin, Kwara State.  


Despite being paid for the performance—which marked the event’s debut—Portable reportedly breached the agreement.  


A media aide to the hotel’s MD, speaking anonymously, confirmed that Portable took an upfront payment of ₦6.3 million but never honored the contract.  


A petition obtained by NAN, titled *"Petition for Fraudulent and Obtaining by False Pretence the Sum of N6.3m,"* alleges that Portable signed an agreement on July 22, 2024, but disregarded it.  


The document claims he received N6.3 million for the September 29 event but arrived over 16 hours late and left without performing. The petitioners—including Chief Olu Amusan (TAMPAN Governor) and Ayodele Demokun (Starwood Hotels)—demand a full refund, investigation, and legal action.  


Kwara State Police Spokesperson Adetoun Ejire-Adeyemi confirmed Portable’s initial arrest on Sunday, following Osupa’s petition citing criminal defamation, threats, incitement, and public disturbance.  


This latest drama adds to Portable’s growing list of controversies, leaving fans and industry stakeholders questioning his professionalism.


(NAN)  

By: Manoah Kikekon 




Portable and Osupa


Fuji music star Saheed Akorede, widely known as Osupa, stepped in on Tuesday to prevent the re-arrest of controversial singer Habeeb Okikiola, aka Portable, following a new petition filed against him.  


According to the News Agency of Nigeria (NAN), Osupa withdrew his initial case against Portable after influential figures, including former African Action Congress (AAC) presidential candidate Omoyele Sowore, pushed for an out-of-court resolution.  


Yemi George, Managing Director of Starwood Hotels Ilorin, told NAN that Osupa convinced him not to proceed with Portable’s re-arrest—despite the singer allegedly collecting N6.3 million for a performance he never delivered.  


"I had all the necessary documents to re-arrest him today to recover my money, but out of respect for the legendary Fuji musician (Osupa), he persuaded me to hold back,"* George revealed.  


"My company, Starwood Hotels O2 Arena, in partnership with TAMPAN (Theatre Arts and Motion Pictures Practitioners Association of Nigeria), organized an event for Portable, but he failed to perform."


A SaharaReporters story on Monday exposed that Portable allegedly no-showed at the *Kwara TAMPAN Fiesta 1.0*, held on September 29, 2024, at Starwood O2 Arena in Ilorin, Kwara State.  


Despite being paid for the performance—which marked the event’s debut—Portable reportedly breached the agreement.  


A media aide to the hotel’s MD, speaking anonymously, confirmed that Portable took an upfront payment of ₦6.3 million but never honored the contract.  


A petition obtained by NAN, titled *"Petition for Fraudulent and Obtaining by False Pretence the Sum of N6.3m,"* alleges that Portable signed an agreement on July 22, 2024, but disregarded it.  


The document claims he received N6.3 million for the September 29 event but arrived over 16 hours late and left without performing. The petitioners—including Chief Olu Amusan (TAMPAN Governor) and Ayodele Demokun (Starwood Hotels)—demand a full refund, investigation, and legal action.  


Kwara State Police Spokesperson Adetoun Ejire-Adeyemi confirmed Portable’s initial arrest on Sunday, following Osupa’s petition citing criminal defamation, threats, incitement, and public disturbance.  


This latest drama adds to Portable’s growing list of controversies, leaving fans and industry stakeholders questioning his professionalism.


(NAN)  

Lagos State Commissioner Ogunlende Teams Up with D’banj’s CREAM Platform to Empower Youth Talent

Lagos State Commissioner Ogunlende Teams Up with D’banj’s CREAM Platform to Empower Youth Talent

By: Manoah kikekon 

Collaboration Aims to Unlock Opportunities for Young Creatives in Lagos


D'banj and Mobolaji Ogunlende 


In an exciting development for Nigeria’s entertainment and youth empowerment sectors, Hon. Mobolaji Ogunlende, Lagos State Commissioner for Youths and Social Development, met with iconic musician and entrepreneur D’banj to discuss a groundbreaking partnership. 


The high-energy meeting, held earlier this evening, explored ways to leverage D’banj’s CREAM Platform (Creative Reality Entertainment Art and Music) to support young talents across Lagos. 

 

D’banj, fondly called The Koko Master and Skibanj, founded the CREAM Platform to discover and nurture emerging creatives by providing access to industry networks, resources, and opportunities. 


The initiative aligns perfectly with the Lagos State government’s commitment to youth development through innovation and collaboration.  


Hon. Ogunlende expressed enthusiasm about the partnership, stating, “Our discussion centered on creating synergies for an upcoming project that will transform the lives of young creatives. We are excited about the possibilities this collaboration brings.”  


The Lagos State Ministry of Youths and Social Development has maintained an open-door policy, encouraging partnerships that drive meaningful change. 


This alliance with the CREAM Platform promises to unlock new pathways for aspiring artists, musicians, and entertainers, reinforcing Lagos as a hub for creative talent.  


As details of the project unfold, stakeholders anticipate a major boost for Nigeria’s entertainment industry, with Lagos youths at the forefront.  


By: Manoah kikekon 

Collaboration Aims to Unlock Opportunities for Young Creatives in Lagos


D'banj and Mobolaji Ogunlende 


In an exciting development for Nigeria’s entertainment and youth empowerment sectors, Hon. Mobolaji Ogunlende, Lagos State Commissioner for Youths and Social Development, met with iconic musician and entrepreneur D’banj to discuss a groundbreaking partnership. 


The high-energy meeting, held earlier this evening, explored ways to leverage D’banj’s CREAM Platform (Creative Reality Entertainment Art and Music) to support young talents across Lagos. 

 

D’banj, fondly called The Koko Master and Skibanj, founded the CREAM Platform to discover and nurture emerging creatives by providing access to industry networks, resources, and opportunities. 


The initiative aligns perfectly with the Lagos State government’s commitment to youth development through innovation and collaboration.  


Hon. Ogunlende expressed enthusiasm about the partnership, stating, “Our discussion centered on creating synergies for an upcoming project that will transform the lives of young creatives. We are excited about the possibilities this collaboration brings.”  


The Lagos State Ministry of Youths and Social Development has maintained an open-door policy, encouraging partnerships that drive meaningful change. 


This alliance with the CREAM Platform promises to unlock new pathways for aspiring artists, musicians, and entertainers, reinforcing Lagos as a hub for creative talent.  


As details of the project unfold, stakeholders anticipate a major boost for Nigeria’s entertainment industry, with Lagos youths at the forefront.  


DCG Hundeyin Celebrates Daughter’s Wedding in London

DCG Hundeyin Celebrates Daughter’s Wedding in London

 By: Manoah kikekon 




 In a dazzling celebration of love and unity, Distinguished Badagryian and retired Deputy Comptroller General (DCG) of the Nigeria Immigration Service, Towanu Abiodun Hundeyin, joyfully gave away his beloved daughter, Jadesola, in marriage to Folabi at a grand wedding ceremony in London.  


The event was a glamorous gathering of Nigeria’s elite, with dignitaries from politics, business, and high society in attendance. Among the notable guests were:  

- Dr. Senator Bode & Princess Remi Olajumoke.

- Princess Kofo Oyekan

- Hon. Arch. Prince SG Koshoedo (Former House of Representatives Member)  

- Mrs. Gladys Talabi

- Mr. & Mrs. Rahmon Oyegbola  

- Dr. Senu Viyon Hundeyin

- Chief Mrs. Wura Adepoju (CGI Rtd)  

- Mrs. Funmi Bosede (ACG Rtd)

- Princess Bopo Oyekan-Ismail  

- Madam Anthonia Ibironke Alakija 


The wedding was a testament to the Hundeyin family’s influence and prestige, both in Nigeria and the Diaspora. DCG Hundeyin, a proud son of Badagry, showcased his deep-rooted heritage and family values in this unforgettable celebration.  


As Jadesola and Folabi begin their journey together, we wish them a lifetime of love, happiness, good health, and prosperity.  


Congratulations to DCG Towanu Abiodun Hundeyin (Rtd), the Hundeyin family, and the Oyekan dynasty on this momentous occasion.

 By: Manoah kikekon 




 In a dazzling celebration of love and unity, Distinguished Badagryian and retired Deputy Comptroller General (DCG) of the Nigeria Immigration Service, Towanu Abiodun Hundeyin, joyfully gave away his beloved daughter, Jadesola, in marriage to Folabi at a grand wedding ceremony in London.  


The event was a glamorous gathering of Nigeria’s elite, with dignitaries from politics, business, and high society in attendance. Among the notable guests were:  

- Dr. Senator Bode & Princess Remi Olajumoke.

- Princess Kofo Oyekan

- Hon. Arch. Prince SG Koshoedo (Former House of Representatives Member)  

- Mrs. Gladys Talabi

- Mr. & Mrs. Rahmon Oyegbola  

- Dr. Senu Viyon Hundeyin

- Chief Mrs. Wura Adepoju (CGI Rtd)  

- Mrs. Funmi Bosede (ACG Rtd)

- Princess Bopo Oyekan-Ismail  

- Madam Anthonia Ibironke Alakija 


The wedding was a testament to the Hundeyin family’s influence and prestige, both in Nigeria and the Diaspora. DCG Hundeyin, a proud son of Badagry, showcased his deep-rooted heritage and family values in this unforgettable celebration.  


As Jadesola and Folabi begin their journey together, we wish them a lifetime of love, happiness, good health, and prosperity.  


Congratulations to DCG Towanu Abiodun Hundeyin (Rtd), the Hundeyin family, and the Oyekan dynasty on this momentous occasion.

Green Janitors’ Founder Abdulsalam Ashade Commemorates Global Recycling Day, message environmentalist

Green Janitors’ Founder Abdulsalam Ashade Commemorates Global Recycling Day, message environmentalist

 By: Manoah Kikekon


 

Abdulsalam Abiodun Ashade


Mr. Abdulsalam Abiodun Ashade, Founder and Executive Director of Green Janitors, marked Global Recycling Day with a message to environmental enthusiasts worldwide. 


In a speech made available to News Peddlers on Tuesday, Ashade emphasized the urgent need to rethink waste management and embrace recycling as a critical tool for preserving the planet.


Ashade stated, “Every year, our planet yields billions of tons of natural resources, but the harsh reality is that these resources are finite. Sooner than we may expect, we will reach a point where they begin to deplete. This is why we must shift our perspective on waste—no longer seeing it as something to discard, but as an opportunity to preserve, repurpose, and restore.”


He highlighted the alarming climate crisis, noting that the last decade was the hottest on record. Rising global temperatures, melting ice caps, devastating wildfires, and rapid deforestation are clear indicators of the environmental challenges we face. Ashade warned that without swift and decisive action, these issues will only escalate, displacing communities, disrupting economies, destroying ecosystems, and leaving behind mountains of waste that threaten our environment.


However, Ashade also offered a message of hope. “We have the power to reverse the damage we’ve done, and it starts with the choices we make today,” he said. He underscored the pivotal role of recycling in this transformation, describing it as a cornerstone of the circular economy. By reusing materials instead of extracting new resources, recycling helps conserve precious resources, reduce pollution, and prevent waste from overwhelming our environment.


Already, recyclables referred to as the “Seventh Resource” save over 700 million tons of CO2 emissions annually. This figure is projected to reach 1 billion tons by 2030. Ashade stressed that these numbers are more than just statistics; they represent a critical effort to safeguard the planet for future generations. “Every bottle recycled, every piece of paper repurposed, and every ounce of plastic diverted from landfills contributes to a healthier, more sustainable world,” he added.


In commemoration of Global Recycling Day 2025, Ashade expressed heartfelt gratitude to the unsung heroes of the recycling industry. “At Green Janitors, we are proud to be part of this global movement, driving change and making a lasting impact. Together, we are on the front lines of a battle for the future of our planet and humanity,” he said.


He also thanked recycling champions worldwide for their dedication and efforts in turning waste into valuable resources. “Your work gives hope for a cleaner, greener, and more sustainable future,” he remarked.


Ashade concluded with a call to action: “Let’s keep recycling, keep innovating, and keep pushing toward a better tomorrow.” His message serves as a timely reminder of the collective responsibility we share in protecting the environment and ensuring a sustainable future for generations to come.



 By: Manoah Kikekon


 

Abdulsalam Abiodun Ashade


Mr. Abdulsalam Abiodun Ashade, Founder and Executive Director of Green Janitors, marked Global Recycling Day with a message to environmental enthusiasts worldwide. 


In a speech made available to News Peddlers on Tuesday, Ashade emphasized the urgent need to rethink waste management and embrace recycling as a critical tool for preserving the planet.


Ashade stated, “Every year, our planet yields billions of tons of natural resources, but the harsh reality is that these resources are finite. Sooner than we may expect, we will reach a point where they begin to deplete. This is why we must shift our perspective on waste—no longer seeing it as something to discard, but as an opportunity to preserve, repurpose, and restore.”


He highlighted the alarming climate crisis, noting that the last decade was the hottest on record. Rising global temperatures, melting ice caps, devastating wildfires, and rapid deforestation are clear indicators of the environmental challenges we face. Ashade warned that without swift and decisive action, these issues will only escalate, displacing communities, disrupting economies, destroying ecosystems, and leaving behind mountains of waste that threaten our environment.


However, Ashade also offered a message of hope. “We have the power to reverse the damage we’ve done, and it starts with the choices we make today,” he said. He underscored the pivotal role of recycling in this transformation, describing it as a cornerstone of the circular economy. By reusing materials instead of extracting new resources, recycling helps conserve precious resources, reduce pollution, and prevent waste from overwhelming our environment.


Already, recyclables referred to as the “Seventh Resource” save over 700 million tons of CO2 emissions annually. This figure is projected to reach 1 billion tons by 2030. Ashade stressed that these numbers are more than just statistics; they represent a critical effort to safeguard the planet for future generations. “Every bottle recycled, every piece of paper repurposed, and every ounce of plastic diverted from landfills contributes to a healthier, more sustainable world,” he added.


In commemoration of Global Recycling Day 2025, Ashade expressed heartfelt gratitude to the unsung heroes of the recycling industry. “At Green Janitors, we are proud to be part of this global movement, driving change and making a lasting impact. Together, we are on the front lines of a battle for the future of our planet and humanity,” he said.


He also thanked recycling champions worldwide for their dedication and efforts in turning waste into valuable resources. “Your work gives hope for a cleaner, greener, and more sustainable future,” he remarked.


Ashade concluded with a call to action: “Let’s keep recycling, keep innovating, and keep pushing toward a better tomorrow.” His message serves as a timely reminder of the collective responsibility we share in protecting the environment and ensuring a sustainable future for generations to come.



ATPN National Vice President calls on Women to Join the tourism movement

ATPN National Vice President calls on Women to Join the tourism movement

By: Manoah Kikekon 


Hon. Apata Samson Nunayon


Hon. Apata Samson Nunayon, National Vice President, Association of Tourism Practitioners of Nigeria (ATPN), South West Region, has called on Nigerian women to Join the Movement to Shape the Future of Tourism in Nigeria.


He disclosed this at the celebration of International Women's Day on March 8th 2025.


He said, "On behalf of the Office of the Vice President, Association of Tourism Practitioners of Nigeria (ATPN), South West Region, I, Hon. Apata Samson Nunayon, extend warm greetings and felicitations to all the fantastic women in ATPN and to every professional woman in the tourism industry.


"Today, we celebrate your remarkable contributions, dedication, and passion for excellence in tourism practice. Your tireless efforts to promote and develop the tourism sector in Nigeria are truly commendable. 


"We value the smart contributions you make to our industry, from innovative marketing strategies to exceptional customer service, and from creative tour packages to sustainable tourism practices. Your insights, expertise, and leadership are instrumental in shaping the future of tourism in Nigeria. 


"As we mark this special day, we acknowledge the progress made towards gender equality and women's empowerment. However, we also recognize that there is still much work to be done. Let us continue to support and uplift each other, breaking down barriers and shattering glass ceilings. Together, we can create a more inclusive and equitable tourism industry that benefits everyone."


Are you passionate about tourism and want to make a difference? 

Do you want to be part of a community that is shaping the future of tourism in Nigeria?


The Association of Tourism Practitioners of Nigeria (ATPN) is calling on all interested individuals to join our ranks

As a member of ATPN, you will:

- Network with professionals in the tourism industry

- Stay updated on the latest trends and developments in tourism

- Contribute to policy decisions that shape the future of tourism in Nigeria

- Access training and capacity-building opportunities

By: Manoah Kikekon 


Hon. Apata Samson Nunayon


Hon. Apata Samson Nunayon, National Vice President, Association of Tourism Practitioners of Nigeria (ATPN), South West Region, has called on Nigerian women to Join the Movement to Shape the Future of Tourism in Nigeria.


He disclosed this at the celebration of International Women's Day on March 8th 2025.


He said, "On behalf of the Office of the Vice President, Association of Tourism Practitioners of Nigeria (ATPN), South West Region, I, Hon. Apata Samson Nunayon, extend warm greetings and felicitations to all the fantastic women in ATPN and to every professional woman in the tourism industry.


"Today, we celebrate your remarkable contributions, dedication, and passion for excellence in tourism practice. Your tireless efforts to promote and develop the tourism sector in Nigeria are truly commendable. 


"We value the smart contributions you make to our industry, from innovative marketing strategies to exceptional customer service, and from creative tour packages to sustainable tourism practices. Your insights, expertise, and leadership are instrumental in shaping the future of tourism in Nigeria. 


"As we mark this special day, we acknowledge the progress made towards gender equality and women's empowerment. However, we also recognize that there is still much work to be done. Let us continue to support and uplift each other, breaking down barriers and shattering glass ceilings. Together, we can create a more inclusive and equitable tourism industry that benefits everyone."


Are you passionate about tourism and want to make a difference? 

Do you want to be part of a community that is shaping the future of tourism in Nigeria?


The Association of Tourism Practitioners of Nigeria (ATPN) is calling on all interested individuals to join our ranks

As a member of ATPN, you will:

- Network with professionals in the tourism industry

- Stay updated on the latest trends and developments in tourism

- Contribute to policy decisions that shape the future of tourism in Nigeria

- Access training and capacity-building opportunities

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