Samuel Idowu Launches Dual-State 'Diary of a Sojourner' Project Linking Badagry and Benue
By: Manoah Kikekon
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| Paper making class |
BADAGRY, LAGOS — Christopher Samuel Idowu virtual artist has officially launched a groundbreaking, multi-city community art project titled "Diary of a Sojourner: A Memory Box Between Spaces Badagry and Benue." Organized in an exclusive partnership with the Centre for Youth Integrated Development (CYID), the initiative kicks off its first phase in the historic coastal town of Badagry before moving its creative footprint to the agrarian community of Buruku in Benue State.
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| Christopher Samuel Idowu |
The extensive, dual-site workshop spans several weeks across two regions, designed to engage local youth in collaborative art-making, mentorship, and economic empowerment. The first phase runs at the CYID center in Badagry from May 18 to 23, 2026, followed by an immersive second installment in Buruku, Benue State, from June 22 to July 3, 2026.
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| section with Mr. Gafar Awesu |
The project is rooted in the deep personal history of its director. Idowu, a recipient of the prestigious Prince Claus Seed Award, envisioned this community project as a continuation of his earlier, site-specific exhibition, My Benue Diary, which he staged inside an abandoned fertilizer repository. The initial inspiration grew from his 2022 National Youth Service Corps (NYSC) deployment in Benue, where he connected deeply with local students and parents working as farmers.
Through standard and contemporary mediums including drawing, painting, printmaking, installation, sound, video, and performance art the project explores themes of resilience, memory, neglect, and hope.
"Diary of a Sojourner is a community-based art project that evolved from the very space that sparked these reflections and ideas," explains Project Idowu. "Empowered by the support of the Prince Claus Seed Award, the project expanded across Benue and Badagry, creating spaces for dialogue, recollection, memory-making, transformation, sustainability, cultural exchange, and community participation. This approach is not merely about the need for labor, but a testament to a vision of community building that extends far beyond the individual."
A cornerstone of the Badagry leg of the workshop focuses heavily on eco-sustainability and economic survival. Facilitators are training participants to look closely at local natural resources specifically coconut waste, wa papers as a viable raw material for lucrative craft-making and entrepreneurial independence.
Mr. Nathaniel Hodonu, Director of Just Coconut and a key facilitator at the workshop, emphasized that environmental waste can easily become a financial lifeline for young creatives if properly harnessed.
"There is a lot we overlook today that we can turn to wealth," Hodonu shared during a training session. "Badagry is the largest supplier of the coconut we consume in Nigeria. If we have hundreds of people designing crafts from coconut waste, we will all make sales without disturbing each other.
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| Section with Mr Nathaniel Hodonu |
When I started, people laughed at me—even some family members were not in support at first. But along the line, when they realized this was becoming lucrative, they had to join. Despite the difficulties, I've continued to push for improvement and stayed consistent about what I'm doing, which is why I am who I am today."
Beyond financial independence, the "Diary of a Sojourner" project serves as a powerful shield against social vices by steering the energies of local youth toward cultural preservation and communal pride. By interacting with seasoned mentors, the participants are taught to view their unique heritage not as an archaic relic, but as an active tool for self-actualization.
Gafar Awesu, a pioneering visual artist in Badagry and workshop facilitator, spoke passionately about the profound social impact of intentional creative engagement.
"Workshops like this will help the youths to promote their cultures, relating dressing, look, and cultural values," Awesu noted. "Another thing is that this is one of the best empowerments our youths can get, which will prevent them from engaging in all forms of unlawful acts that won't profit them in any way.
From all I've done so far, I can say I'm fulfilled. I started with nothing, and with what I have today, I can confidently say I'm fulfilled. Being fulfilled is not what you've done for yourself alone, but the kind of impact you've made in people's lives. This is an achievement I've always prayed for, and God has helped me to achieve it."
Each phase of the workshop is designed to culminate in an interactive, site-responsive exhibition. Rather than just showcasing static work by a single artist, these exhibitions encourage co-creation and invite community members to step into the "Memory Box" to reflect on their shared history.
By connecting the historical coastal lines of Badagry to the vast green farmlands of Benue, Idowu’s Diary of a Sojourner stands as a beautiful reminder of how art can dissolve geographic boundaries, heal social fractures, and build a sustainable future from the ground up.
By: Manoah Kikekon
 |
| Paper making class |
BADAGRY, LAGOS — Christopher Samuel Idowu virtual artist has officially launched a groundbreaking, multi-city community art project titled "Diary of a Sojourner: A Memory Box Between Spaces Badagry and Benue." Organized in an exclusive partnership with the Centre for Youth Integrated Development (CYID), the initiative kicks off its first phase in the historic coastal town of Badagry before moving its creative footprint to the agrarian community of Buruku in Benue State.
 |
| Christopher Samuel Idowu |
The extensive, dual-site workshop spans several weeks across two regions, designed to engage local youth in collaborative art-making, mentorship, and economic empowerment. The first phase runs at the CYID center in Badagry from May 18 to 23, 2026, followed by an immersive second installment in Buruku, Benue State, from June 22 to July 3, 2026.
 |
| section with Mr. Gafar Awesu |
The project is rooted in the deep personal history of its director. Idowu, a recipient of the prestigious Prince Claus Seed Award, envisioned this community project as a continuation of his earlier, site-specific exhibition, My Benue Diary, which he staged inside an abandoned fertilizer repository. The initial inspiration grew from his 2022 National Youth Service Corps (NYSC) deployment in Benue, where he connected deeply with local students and parents working as farmers.
Through standard and contemporary mediums including drawing, painting, printmaking, installation, sound, video, and performance art the project explores themes of resilience, memory, neglect, and hope.
"Diary of a Sojourner is a community-based art project that evolved from the very space that sparked these reflections and ideas," explains Project Idowu. "Empowered by the support of the Prince Claus Seed Award, the project expanded across Benue and Badagry, creating spaces for dialogue, recollection, memory-making, transformation, sustainability, cultural exchange, and community participation. This approach is not merely about the need for labor, but a testament to a vision of community building that extends far beyond the individual."
A cornerstone of the Badagry leg of the workshop focuses heavily on eco-sustainability and economic survival. Facilitators are training participants to look closely at local natural resources specifically coconut waste, wa papers as a viable raw material for lucrative craft-making and entrepreneurial independence.
Mr. Nathaniel Hodonu, Director of Just Coconut and a key facilitator at the workshop, emphasized that environmental waste can easily become a financial lifeline for young creatives if properly harnessed.
"There is a lot we overlook today that we can turn to wealth," Hodonu shared during a training session. "Badagry is the largest supplier of the coconut we consume in Nigeria. If we have hundreds of people designing crafts from coconut waste, we will all make sales without disturbing each other.
 |
| Section with Mr Nathaniel Hodonu |
When I started, people laughed at me—even some family members were not in support at first. But along the line, when they realized this was becoming lucrative, they had to join. Despite the difficulties, I've continued to push for improvement and stayed consistent about what I'm doing, which is why I am who I am today."
Beyond financial independence, the "Diary of a Sojourner" project serves as a powerful shield against social vices by steering the energies of local youth toward cultural preservation and communal pride. By interacting with seasoned mentors, the participants are taught to view their unique heritage not as an archaic relic, but as an active tool for self-actualization.
Gafar Awesu, a pioneering visual artist in Badagry and workshop facilitator, spoke passionately about the profound social impact of intentional creative engagement.
"Workshops like this will help the youths to promote their cultures, relating dressing, look, and cultural values," Awesu noted. "Another thing is that this is one of the best empowerments our youths can get, which will prevent them from engaging in all forms of unlawful acts that won't profit them in any way.
From all I've done so far, I can say I'm fulfilled. I started with nothing, and with what I have today, I can confidently say I'm fulfilled. Being fulfilled is not what you've done for yourself alone, but the kind of impact you've made in people's lives. This is an achievement I've always prayed for, and God has helped me to achieve it."
Each phase of the workshop is designed to culminate in an interactive, site-responsive exhibition. Rather than just showcasing static work by a single artist, these exhibitions encourage co-creation and invite community members to step into the "Memory Box" to reflect on their shared history.
By connecting the historical coastal lines of Badagry to the vast green farmlands of Benue, Idowu’s Diary of a Sojourner stands as a beautiful reminder of how art can dissolve geographic boundaries, heal social fractures, and build a sustainable future from the ground up.